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I am a Christian and I am going to offer evidence that God exists, the Bible is the truth, and that Jesus Christ is the way to eternal life. But I have two things to say first. There is evidence that Christianity is the truth but I will admit that believing in Jesus will always require a certain amount of faith. To weigh the evidence fairly it is important to have an open mind. The First Thing That Ever Existed: Let me ask you a question. What is the first thing that ever existed? Either the first thing that ever existed created itself and came from nothing or the first thing that ever was always existed and has no beginning. But something that doesn’t exist cannot cause itself to exist. It’s impossible. Its literally the exact same thing as saying a t. v. that doesn’t exist created itself and caused itself to appear in my living room. It’s irrational and it can not happen. People made the t. and put it in the living room. Never in the history of the universe has there been anything that has been scientifically observed to have created itself out of nothing. There is a virtually unlimited amount of scientific evidence that things that already exist cause other things to exist. The scientific proof is overwhelmingly on the side of things being created by things that already exist and not on the side of things that don’t exist causing themselves to exist. Therefore it is only logical to conclude that there is something that always was and has no beginning. God according to the Bible and Christianity is said to be a being that is eternal and has no beginning. This claim is backed up by the evidence of logic that there has to be something that always existed. The Return of Israel: In 132 A. D. Israel started the Bar Kokhba Rebellion against Roman rule. They were defeated a few years later. The Romans drove the Jews out of Israel. For almost 2, 000 years the Jewish people were living in exile in foreign nations. This is established historical fact. In 1948 the nation of Israel was founded and became a nation again after almost 2, 000 years. This is a miracle. The thing is it was predicted in the Bible over 2, 000 years ago. Ezekiel 37:21: Then say to them, Thus says the Lord God: Surely I will take the children of Israel from among the nations, wherever they have gone, and will gather them from every side and bring them into their own land. In 1948 this prophecy was fulfilled. Mankind Made In The Image Of God: Genesis 1:27: So God created man in his own image, in the image of God he created him; male and female he created them. That means that we are beings that are like him. Look around at the rest of creation. The animals, plants and other living things are amazing but you can tell that humanity is special. We are a higher form of life. We have dominion of the Earth like no other species has. We have a far greater intelligence. We have a sense of right and wrong. We have complex language in the form of speech. We have spirituality. We have complex emotions. Humanity also has incredible creativity and enjoys things such as art. God himself likes to create. We are special. This is obvious to all. This serves as evidence of the truth that humanity is made in the image of God, just like the Bible says. Creation Proclaims God’s Glory: Look at how beautiful the Earth is. Look at the beautiful sky, the trees, the grass, the animals, the mountains, the ocean. Everywhere you look you see incredible beauty. Think of a painting. If you randomly stroke the paintbrush across the canvas it will likely not be beautiful. It will probably be just a random mess. It takes an intelligent painter to make a masterpiece. As an example lets take the Sistine Chapel. What is more likely? That it was made by random chance with no intelligent thought or that it was made by an intelligent designer. Surely the intelligent designer. Then look at how the universe operates. It has laws. Physics, chemistry, biology, the weather all work following certain laws. It is not random chance. The entire universe has order to it. From the biggest galaxy to the smallest atom everywhere you see order. God is the ultimate artist displaying his artwork and it glorifies him. It actually takes less faith to believe that God created the masterpiece that is the universe then such a beautiful and ordered universe simply being the product of random chance. Iran Attacks Israel: The Bible says that in the end times Iran and other nations will attempt to attack Israel. Ezekiel 38: 2-5: Son of man, set your face against Gog, of the land of Magog, the prince of Rosh, Meshech, and Tubal, and prophesy against him, and say, Thus says the Lord God: Behold I am against you O Gog, the prince of Rosh, Meshech and Tubal. I will turn you around, put hooks into your jaws, and lead you out, with all your army, horses and horsemen, all splendidly clothed, a great company with buckles and shields, all of them handling swords. Persia, Ethiopia and Libya are with them all of them with shield and helmet. (Iran was once known as Persia. In Iran and much of the Middle East their is a great hatred of Israel. ) Ezekiel 38:7-8: Prepare yourself and be ready, you and all your company that are gathered about you and be a guard for them. After many days you will be visited. In the latter years you will come into the land of those brought back from the sword and gathered from many people on the mountains of Israel, which had long been desolate, they were brought out of the nations, and now all of them dwell safely. (This was fulfilled thousands of years after it was written in 1948 when the nation of Israel was founded and the Jews returned to their own land after living for centuries in other nations. ) This part of the prophecy has proven true and in todays political climate the situation does seem to be going in the direction of an eventual attack on Israel. The End Times: Running to and Fro: Daniel 12:4: But you Daniel, shut up the words, and seal the book until the time of the end: many shall run to and fro, and knowledge shall increase. Has this happened? Yes! This was written in the age of horses and bows and arrows. All you have to do is look at a highway and you will see many people running to and fro. With the rise of the internet knowledge truly has increased. This is a prophecy that has been fulfilled before our eyes and in a way hardly imaginable to ancient people. The Antichrist: In the end times the Bible says there will arise a man controlled by the devil who will rule the whole world. This man will demand worship and cause those who do not worship him to be killed. Revelation 13:16-17: He causes all, both small and great, rich and poor, free and slave, to receive a mark on their right hand or on their foreheads and that no one may buy or sell except one who has the mark or the name of the beast, or the number of his name. This was written in ancient times when the world was not a globalized and connected place and such a thing would not have been possible. In todays modern, global and interconnected economy money controls everything and I do mean EVERYTHING. Controlling who can buy or sell this is ultimate power. Nowadays without money you can’t do much. In todays global and technological economy you can now see how such a thing may be possible. False Prophets: Matthew 24: 4-5: Jesus answered: Watch that no one deceives you. For many will come in my name, claiming, I am the Messiah and will deceive many. This has happened exactly as Jesus predicted. There are men such as Apollo Quiboloy and Vissarion who literally claim to be Jesus Christ. They have both amassed huge followings. These people have been deceived. When Jesus returns he will come on a cloud in great glory and the whole world shall see him. The Devil Deceives the Whole World: Why is there so much confusion in the world about who Jesus Christ is? Some people believe he is the Son of God, others believe he was a prophet and still others believe he didn’t even exist at all. Of all the people who have ever lived in history Jesus seems to get arguably more conflicting viewpoints over who he was and what he stood for. Research online a list of Christian denominations and you will find many different groups who have many different beliefs about Jesus. Why all this confusion? The answer is the devil. Revelation 12:9: So the great dragon was cast out, that serpent of old, called the Devil and Satan, who deceives the whole world: he was cast to the earth, and his angels were cast out with him. The devil is the father of lies who has deceived mankind since the beginning of the world. He will do whatever he can to confuse people about Christ and keep them from the truth. The truth is that Jesus Christ is the Son of God who died on the cross for all of mankind’s sins and that whoever accepts him as Lord and Savior will have eternal life. How People Will Be In The Last Days: The Bible says that in the last days people and society will be evil. 2 Timothy 3:1-5: But know this, that in the last days perilous times will come: For men will be lovers of themselves, lovers of money, boasters, proud, blasphemers, disobedient to parents, unthankful, unholy, unloving, unforgiving, slanderers, without self-control, brutal, despisers of good, traitors, headstrong, haughty, lovers of pleasure rather than lovers of God, having a form of godliness but denying its power. And from such people turn away! You can now see all of these things in our society in incredible amounts. People in today’s society are obsessed with money and pleasure. They literally control everything. All one has to do is look at the news and see all the horrible stories and you will know that this verse is true and that today’s society fits this exact description. The World’s Hatred of Christians: Jesus said to believers in John 15:18: If the world hates you, you know that it has hated Me before it hated you. Jesus who never did anything wrong and only preached about love, peace, truth and finding God and never harmed anyone received incredible hatred and persecution. So much hatred in fact that a murderer was released instead of Jesus when the people were told either Barabbas or Jesus could be released and they could chose which one. He was then crucified. That is about as much hatred as you can get. Throughout history Christians have been mocked, burned alive, crucified, killed by wild beasts and killed in other horrible ways. This still holds true today as it is illegal to be a Christian in some parts of the world or if you are you will receive horrible persecution. Even in nations where it is legal to be a Christian if you start talking about Jesus, the Bible or sin there is a very good chance that you will be mocked and ridiculed or people will not want to talk about it. I myself have experienced some of this. Why does the world hate Christians? The answer is that Christians are not of this world. In the world people do their own will. The prevailing philosophy of the world is self-interest and doing whatever one pleases. The will of the Christian is to do the will of God. Flood Denial: The Bible says that in the last days people will deny that a global flood ever happened. 2 Peter 3:3-6: know this first: that scoffers will come in the last days, walking according to their own lusts, and saying, where is the promise of his coming? For since the fathers fell asleep, all things continue as they were from the beginning of creation. For this they willfully forget: that by the word of God the heavens were of old, and the earth standing out of water and in the water, by which the world that then existed perished, being flooded with water. Has this happened? Yes! Nowadays if you say that you believe a global flood happened there is a good chance you will be mocked and ridiculed. People don’t want to believe there is a God and that he judges the world for its sins and has done so in the past. The Fountains of The Great Deep: Genesis 7:11: In the sixth hundredth year of Noah’s life in the second month, the seventeenth day of the month, on that day all the fountains of the great deep were broken up, and the windows of heaven were opened. Skeptics of a global flood ever occurring might ask where all the water necessary to flood the entire Earth came from. Scientists now believe that 1-3 times all the water in the oceans exists deep inside the Earth in the mantle. It is called Ringwoodite. This does prove that in total Earth has enough water to cover all of the land and even the highest mountain. Satan’s Persecution of Jews: Israel is God’s special nation which is the apple of his eye. This is talked about in Zechariah 2:1-13. The Bible was written by people who were connected to Israel. It is through Israel that Jesus Christ came into the world. Revelation 12: 1-17 talks about Satan’s hatred and persecution of Israel. Jewish history is a history of terrible hatred and persecution against Jews and the nation of Israel. In fact this hatred is very much alive in the world right now. Here is a passage from Arthur E. Bloomfield in his book How to Recognize the Antichrist: (God’s whole future program revolves around Israel, God’s entire kingdom program revolves around Israel. When Christ comes again, according to the prophet Zechariah, his feet shall stand upon the Mount of Olives that is before Jerusalem. The Jews will be the nucleus of the new kingdom. If Satan is to win this war and retain control of the earth, he must of necessity destroy all the Jews. That would prevent the establishing of the Kingdom of God in the world. This is the basic program of Satan. ) Evidence for this includes Adolf Hitler and the Holocaust. Such inhuman hatred. Hitler even diverted manpower and resources away from the war effort to focus on killing Jews. It makes no logical sense. (I found the Bloomfield passage in a book called Who Is The Antichrist? By Mark Hitchcock. I have never read Bloomfield’s book. ) Zechariah 14 talks about Christ and the Mount of Olives. Conscience & God’s Law: Humanity is obsessed with good and evil. You see this everywhere in stories and in the real world. The forces of good fight against the forces of evil. The good guys vs the bad guys. But that begs the question. Where does our sense of morality come from? If the universe is just random chance and wasn’t created by an intelligent designer with a purpose for it then there is no standard for morality. For example, if I said that I wanted to steal money from others and live a selfish lifestyle that would be considered evil. But why is being selfish considered evil? If life evolved from nonliving chemical elements because of random chance there is no such thing as good and evil. It would just be your preference against mine. Only if there is a transcendent law giver: God, can good and evil exist. The universe works because of physical laws. The evidence also overwhelming points to there being moral laws. This is seen in mankind’s never ending obsession with good and evil. Our moral law comes from God who himself is a moral being. Life From Life: Let me ask you a question. Where did the first living thing come from? The first living thing either came from a nonliving thing or the first living thing always existed. A belief in the scientific community is that the first living thing was created when nonliving chemical elements turned into a living thing. They say this despite having absolutely no evidence of such a claim. No scientist has ever been able to cause nonliving chemical elements to turn into a living thing. There is absolutely no proof of such a thing ever happening. Living things only come from already preexisting living things. Life from life. This is seen every in the world. From bacteria to animals to humanity. The Bible says that God who has always existed and who is himself a living being created every living thing on Earth. This claim is supported by the fact that life exists and that it only comes from living things. Therefore there must be a living thing that has always existed. God.
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Columnist Nicole Weaver
Resume Senior Writer @cheatsheet | Reporting in @NYMag, @TeenVogue and more

Actors: Christopher Wolfe, Charlie Pye Jr
directed by: Destin Daniel Cretton
countries: USA
A powerful and thought-provoking true-story, "Just Mercy" follows young lawyer Bryan Stevenson (Jordan) and his history-making battle for justice. After graduating from Harvard, Bryan might have had his pick of lucrative jobs. Instead, he heads to Alabama to defend those wrongly condemned, with the support of local advocate Eva Ansley (Larson.) One of his first, and most incendiary, cases is that of Walter McMillian (Foxx,) who, in 1987, was sentenced to die for the notorious murder of an 18-year-old girl, despite a preponderance of evidence proving his innocence and the fact that the only testimony against him came from a criminal with a motive to lie. In the years that follow, Bryan becomes embroiled in a labyrinth of legal and political maneuverings and overt and unabashed racism as he fights for Walter, and others like him, with the odds-and the system-stacked against them
writed by: Destin Daniel Cretton

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Bryan Stevenson, Just Mercy: A Story of Justice and Redemption
Attorney Bryan Stevenson (Michael B. Jordan) is the model of perseverance as he defends in the late '80's Walter McMillian, a black man in Alabama (To Kill a Mockingbird's Monroeville, ironic enough) over corrupt murder charges. Although the arc of defense is usually the same in reality as well as this drama, Just Mercy, each incident will hit fair minded audiences in the gut each time.
Director Dustin Daniel Cretton keeps the pace of Bryan's investigation apace, from the early days as a new Harvard trained lawyer to the journey to the Alabama Supreme Court and back. During that time the audience gets a stark reminder that standing up against bigotry and corruption (Alabama cops do not come off like justice driven officer) as Stevenson does is not for the weak, but definitely for those who seek justice, especially for underserved minorities.
Although Walter having been unjustly convicted is established early on, it's the undoing of that conviction (Walter is awaiting his execution date) that provides suspense, with multiple incidents of denial in the court system. Meanwhile Stevenson (he wrote the account on which the film is based) gives a few too many Hollywood-like speeches about the prejudice that allows an innocent man to lose part or all of his life fighting a system that caters to the wealthy and the white.
The strength of this predictable drama, unavoidable given the story is based on a real drama that is replayed in courtrooms daily, and it seems in the South more often than normal, is the depiction of helplessness for the unjustly convicted and the efficacy of tenaciousness joined to truth. The corrosion of justice and the heroism of humane people is on display and a reminder that never giving up is the antidote to hopelessness.
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Goldie hawn net worth. Reviews are in for Goldie's 'The Journey Man' tour with The Heritage Orchestra MORE > Music Goldie 'The Journey Man' is Out Now GOLDIE ANNOUNCES THE JOURNEY MAN TOUR Goldie has announced The Journey Man Tour: a nationwide live tour, taking place this November. The tour will see Goldie bring together members of the Heritage Orchestra as well as special guests, to perform tracks live from his iconic repertoire as well as material from his highly-anticipated, forthcoming album ‘The Journey Man’, out June 16th. 'I Adore You' - Full Length Video Released Goldie has unveiled the full-length version of the video for his latest single ‘I Adore You’, taken from his forthcoming double LP ‘The Journey Man’. The extended cut of the video, which clocks in at just over 9 minutes in length, was directed by Lyle Lindgren and stars acclaimed British TV and film actor Stephen Graham, and follows a complex, dark, and heartfelt narrative. Prism - Latest Track From 'The Journey Man' Goldie has released a brand new track, ‘Prism’, taken from his forthcoming double LP ‘The Journey Man’. The track showcases the darker and more underground sounds of Goldie’s repertoire, is available to stream and download now on all digital platforms upon purchase of the album. More > Art All Things Remembered Goldie will be launching his forthcoming memoir All Things Remembered with a rare on stage conversation, as part of London Literature Festival at Southbank Centre on Sunday 22nd October. Tickets are on sale now All Things Remembered, described as an explosive story of abuse, revenge, graffiti, gold teeth, shotguns, car crashes, hot yoga and redemption through reality TV, is published by Faber on November 2nd. Timeless live at Wilderness Festival with Heritage Orchestra Another triumphant Timeless Show show completed with Heritage Orchestra at Wilderness Festival, thanks to all those who came out! Goldie collects MBE! Goldie collected his MBE from Buckingham Palace in the company of his family Goldie Awarded An MBE Awarded an MBE in New Years Honours 2015 More >

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Goldie asap rocky. Chala bagundi e episode. Nice concept. Yo riris fit in the beginning 🔥🤤 my type of lady. Was he, though? He caught a lot of Pokémon, likely by the force into a battle -> defeat and steal from family groups and general life -> send off to be poked and prodded by Professor Grandpa... but only really raised a few. Ash caught few, but nurtured bonds with them and always worked to develop their true potential, regardless of what limits it posessed. Gary actually knew what tf types and such were. Ash had the Mixed Blessing of Ho-Oh or something, a mutant Pikachu with ridiculous stats and apparently some weird hybrid of Static and a Normalized Thunderbolt that still affected Flying and Water types supereffectively, and... super effective plain Pokéballs? Gary was arrogant all the way through, until he was finally smacked down and turned to the old standby, "if you can't do, teach or research". Ash's arrogance was mostly erased by a flock of Spearow and a near-death experience, wasn't much there to start, and only surfaced when another arrogant person riled him up (Misty, etc). Gary learned his lesson. Ash abandoned old team members for multiple entire regions and forgot his lessons in later seasons. May was a better trainer than both, Ribbon Case closed!

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About The Author - Joe Krois
Biography: Tennis and fútbol enthusiast, lifetime NYM fan (and occasional supporter) Previously in life I used to be one, but now I'm neither... ⚽⚾🎾 #2020Peace #NotABot


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Correspondent: Matthew Broach

Resume: I am the epitomy of - jack of all trades master of none. Jesus is my Lord and Savior. College ministry is amazing. I love Jesus, my family, and soccer.


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  3. Director: Ron Howard
  4. Tom Hanks
  5. 1995
  6. rating: 8,3 / 10 star

Astronauts could be hurtling into the sun while their ship disintegrates around them and they would still sound like they were talking to mission control about expense report spreadsheets. They are badasses.
How they spotted the landing was a miracle of the 20th century.

Just think: they were recovered by a WW2 Essex class aircraft carrier. Search for Britains space programme on YouTube ‘Button Moon its absolutely magical. youre welcome 👍🏻. درود بر تما می دانشمندان هوا فضا. درود بر مردان و زنان اهنین ناسا... من هم جنگ ستارگان 2021 را دنبال و پژوهش می کنم... Hele, lidi zamislete se nad tím že pokud chceme žít tak jsme museli přistát na měsíci, protože na zemi by jsme nepřežili. Jeden z důvodů proč poletíme na mars. Hlavně lidi v apollu málem umřeli a vy řikáte že to je fake? Já du radši hrát kerbaly. Duncan died to soon. Absolutely amazing. I was 6 years old. Etched in my mind. We've never tested anything like this Hell, we've never even simulated it. Quote of the episode. ROLL COMPLETE WE ARE BITCHING.

Too good of a movie. If Sinise would have really been that close to the launch, his eardrums would have been fried and he may have died from the shock. That Vette's windows would be gone at least. The United States now sleeps under a Soviet moon Khrushchev being a savage. 39:10 and God saw that it was good. 38:00 A 20 something girl at a bar was saying how Apollo 13 was a favorite movie and I told her I remembered people praying for the crew in 1970 - she goes “OH MY GOD THAT WAS A TRUE STORY! ”. Probably THE space movie of the 1990s, APOLLO 13 is Ron Howard's magnum opus: a lengthy, detailed examination of the infamous real-life disaster which saw three crew members come close to death thanks to their malfunctioning craft. To say more would be to spoil the experience, but this is an example of old-fashioned filmmaking at its best. There are a few weak CGI effects but mainly this story is told by the dedicated team of actors, none of whom do wrong. It's a slow burner for sure, but the premise is so unusual and so interesting than it works a treat from beginning to end.

Get ready for a little jolt, fellows. สุดยอดเลยครับเมกา. I cannot even imagine what was going through the Astronauts' heads as they saw planet Earth before them for the first time. God bless them. Meanwhile in space Alien: we just found an alien in space. You couldve told me that was actually Gene kranz and I wouldve believed you. They got the PERFECT actor for him. Dej LIKE.

I liked that last quote: We've never lost an American in space, and we sure as hell aren't gonna lose one on my watch. Failure is not an option.


I would watch this again. Stupid. intriguing at times but overall too old in style and made me lose interest (1 viewing. Harris is a great actor. Bruh it went from. “ Houston we have a problem” then it went to Houston weve had a problem. And now its back to normal.

Amazing videos! thx for the upload

I just watched this movie for the first time. And never in my 18 years of life have i seen one so moving and heartfelt as this movie. Apollo 13 Apollo 13's damaged service module, seen from the command module, as it was being jettisoned shortly before reentry Mission type Crewed lunar landing attempt ( H) Operator NASA COSPAR ID 1970-029A SATCAT no. 4371 [1] Mission duration 5 days, 22 hours, 54 minutes, 41 seconds [2] Spacecraft properties Spacecraft Apollo CSM -109 Apollo LM -7 Manufacturer CSM: North American Rockwell LM: Grumman Launch mass 45, 931 kilograms (101, 261 lb) [3] Landing mass 5, 050 kilograms (11, 133 lb) [4] Crew Crew size 3 Members James A. Lovell, Jr. John L. Swigert, Jr. Fred W. Haise, Jr. Callsign CM: Odyssey LM: Aquarius Start of mission Launch date April 11, 1970, 19:13:00  UTC Rocket Saturn V SA-508 Launch site Kennedy LC-39A End of mission Recovered by USS  Iwo Jima Landing date April 17, 1970, 18:07:41  UTC Landing site South Pacific Ocean 21°38′24″S 165°21′42″W  /  21. 64000°S 165. 36167°W Docking with LM Docking date April 11, 1970, 22:32:08 UTC Undocking date April 17, 1970, 16:43:00 UTC Lovell, Swigert, Haise Apollo program ←  Apollo 12 Apollo 14  → Apollo 13 was the seventh crewed mission in the Apollo space program and the third meant to land on the Moon. The craft was launched from Kennedy Space Center on April 11, 1970, but the lunar landing was aborted after an oxygen tank in the service module (SM) failed two days into the mission. The crew instead looped around the Moon, and returned safely to Earth on April 17. The mission was commanded by Jim Lovell with Jack Swigert as command module (CM) pilot and Fred Haise as lunar module (LM) pilot. Swigert was a late replacement for Ken Mattingly, who was grounded after exposure to rubella. Accidental ignition of damaged wire insulation inside the oxygen tank as it was being routinely stirred caused an explosion that vented the tank's contents. Without oxygen, needed both for breathing and for generating electric power, the SM's propulsion and life support systems could not operate. The CM's systems had to be shut down to conserve its remaining resources for reentry, forcing the crew to transfer to the LM as a lifeboat. With the lunar landing canceled, mission controllers worked to bring the crew home alive. Although the LM was designed to support two men on the lunar surface for two days, Mission Control in Houston improvised new procedures so it could support three men for four days. The crew experienced great hardship caused by limited power, a chilly and wet cabin and a shortage of potable water. There was a critical need to adapt the CM's cartridges for the carbon dioxide removal system to work in the LM; the crew and mission controllers were successful in improvising a solution. The astronauts' peril briefly renewed interest in the Apollo program; tens of millions watched the splashdown in the South Pacific Ocean by television. An investigative review board found fault with preflight testing of the oxygen tank and the fact that Teflon was placed inside it. The board recommended changes, including minimizing the use of potentially combustible items inside the tank; this was done for Apollo 14. The story of Apollo 13 has been dramatized several times, most notably in the 1995 film Apollo 13. Background In 1961, U. S. President John F. Kennedy challenged his nation to land an astronaut on the Moon by the end of the decade, with a safe return to Earth. [5] NASA worked towards this goal incrementally, sending astronauts into space during Project Mercury and Project Gemini, leading up to the Apollo program. [6] The goal was achieved with Apollo 11, which landed on the Moon on July 20, 1969. Neil Armstrong and Buzz Aldrin walked on the lunar surface while Michael Collins orbited the Moon in Command Module Columbia. The mission returned to Earth on July 24, 1969, fulfilling Kennedy's challenge. [5] NASA had contracted for fifteen Saturn V rockets to achieve the goal; at the time no one knew how many missions this would require. [7] Since success was obtained in 1969 with the sixth Saturn   V on Apollo 11, nine rockets remained available for a hoped-for total of ten landings. After the excitement of Apollo 11, the general public grew apathetic towards the space program and Congress continued to cut NASA's budget; Apollo 20 was canceled. [8] Despite the successful lunar landing, the missions were considered so risky that astronauts could not afford life insurance to provide for their families if they died in space. [note 1] [9] Mission Operations Control Room during the TV broadcast just before the Apollo 13 accident. Astronaut Fred Haise is shown on the screen. Even before the first U. astronaut entered space in 1961, planning for a centralized facility to communicate with the spacecraft and monitor its performance had begun, for the most part the brainchild of Christopher C. Kraft, who became NASA's first flight director. During John Glenn 's Mercury Friendship 7 flight in February 1962 (the first crewed orbital flight by the U. ), Kraft was overruled by NASA managers. He was vindicated by post-mission analysis, and implemented a rule that during the mission, the flight director's word was absolute [10] —to overrule him, NASA would have to fire him on the spot. [11] Flight directors during Apollo had a one-sentence job description, "The flight director may take any actions necessary for crew safety and mission success. " [12] In 1965, Houston's Mission Control Center opened, in part designed by Kraft and now named for him. [10] In Mission Control, each flight controller, as well as monitoring telemetry from the spacecraft, was in communication via voice loop to specialists in a Staff Support Room (or "back room"), who focused on specific spacecraft systems. [11] Apollo 13 was to be the second H mission, meant to demonstrate precision lunar landings and explore specific sites on the Moon. [13] With Kennedy's goal accomplished by Apollo 11, and Apollo 12 demonstrating that the astronauts could perform a precision landing, mission planners were able to focus on more than just landing safely and having astronauts minimally trained in geology gather lunar samples to take home to Earth. There was a greater role for science on Apollo 13, especially for geology, something emphasized by the mission's motto, Ex luna, scientia (From the Moon, knowledge). [14] Astronauts and key Mission Control personnel Swigert, Lovell and Haise the day before launch Apollo 13's mission commander, Jim Lovell, was 42 years old at the time of the spaceflight, which was his fourth and last. He was a graduate of the United States Naval Academy and had been a naval aviator and test pilot before being selected for the second group of astronauts in 1962; he flew with Frank Borman in Gemini 7 in 1965 and Aldrin in Gemini 12 the following year before flying in Apollo 8 in 1968, the first spacecraft to orbit the Moon. [15] Jack Swigert, the command module pilot (CMP), was 38 years old and held a B. in mechanical engineering and an M. in aerospace science; he had served in the Air Force and in state Air National Guards, and was an engineering test pilot before being selected for the fifth group of astronauts in 1966. [16] Fred Haise, the lunar module pilot (LMP), was 35 years old. He held a B. in aeronautical engineering, had been a Marine Corps fighter pilot, and was a civilian research pilot for NASA when he was selected as a Group   5 astronaut. [17] Apollo 13 was Swigert's and Haise's only spaceflight. [18] According to the standard Apollo crew rotation, the prime crew for Apollo 13 would have been the backup crew [note 2] for Apollo 10 with Mercury and Gemini veteran Gordon Cooper in command, Donn F. Eisele as CMP and Edgar Mitchell as LMP. Deke Slayton, NASA's Director of Flight Crew Operations, never intended to rotate Cooper and Eisele to a prime crew assignment, as both were out of favor – Cooper for his lax attitude towards training, and Eisele for incidents aboard Apollo   7 and an extramarital affair. He assigned them to the backup crew because no other veteran astronauts were available. [21] Slayton's original choices for Apollo 13 were Alan Shepard as commander, Stuart Roosa as CMP, and Mitchell as LMP. However, management felt Shepard needed more training time, as he had only recently resumed active status after surgery for an inner ear disorder, and had not flown since 1961. Thus Lovell's crew (himself, Haise and Ken Mattingly) having all backed up Apollo 11 and slated for Apollo 14, was swapped with Shepard's. [21] Swigert was originally CMP of Apollo 13's backup crew, with John Young as commander and Charles Duke as lunar module pilot. [22] Seven days before launch, Duke contracted rubella from a friend of his son. [23] This exposed both the prime and backup crews, who trained together. Of the five, only Mattingly was not immune through prior exposure. Normally, if any member of the prime crew had to be grounded, the remaining crew would be replaced as well, and the backup crew substituted, but Duke's illness ruled this out, [24] so two days before launch, Mattingly was replaced by Swigert. [16] Mattingly never developed rubella and later flew on Apollo 16. [25] For Apollo, a third crew of astronauts, known as the support crew, was designated in addition to the prime and backup crews used on projects Mercury and Gemini. Slayton created the support crews because James McDivitt, who would command Apollo 9, believed that, with preparation going on in facilities across the US, meetings that needed a member of the flight crew would be missed. Support crew members were to assist as directed by the mission commander. [26] Usually low in seniority, they assembled the mission's rules, flight plan, and checklists, and kept them updated; [27] [28] for Apollo 13, they were Vance D. Brand, Jack Lousma and either William R. Pogue or Joseph Kerwin. [note 3] [33] For Apollo 13, flight directors were: Gene Kranz, White team, [34] (the lead flight director); [35] [36] Glynn Lunney, Black team; Milt Windler, Maroon team and Gerry Griffin, Gold team. [34] The CAPCOMs (the person in Mission Control, during the Apollo program an astronaut, who was responsible for voice communications with the crew) [37] for Apollo 13 were Kerwin, Brand, Lousma, Young and Mattingly. [38] Mission insignia and call signs The Apollo 13 mission insignia depicts the Greek god of the Sun, Apollo, with three horses pulling his chariot across the face of the Moon, and the Earth seen in the distance. This is meant to symbolize the Apollo flights bringing the light of knowledge to all people. The mission motto, Ex luna, scientia (From the Moon, knowledge), appears. In choosing it, Lovell adapted the motto of his alma mater, the Naval Academy, Ex scientia, trident (From knowledge, sea power). [39] [40] On the patch, the mission number appeared in Roman numerals as Apollo XIII. It did not have to be modified after Mattingly's replacement by Swigert since it is one of only two Apollo mission insignia—the other being Apollo 11—not to include the names of the crew. It was designed by artist Lumen Martin Winter, who based it on a mural he had painted for The St. Regis Hotel in New York City. [41] The mural was later purchased by actor Tom Hanks, [42] who portrayed Lovell in the movie Apollo 13, and is now in the Captain James A. Lovell Federal Health Care Center in Illinois. [43] The mission's motto was in Lovell's mind when he chose the call sign Aquarius for the lunar module, taken from Aquarius, the bringer of water. [44] [45] Some in the media erroneously reported that the call sign was taken from a song by that name from the musical Hair. [45] [46] The command module's call sign, Odyssey, was chosen not only for its Homeric association but to refer to the recent movie, 2001: A Space Odyssey, based on a short story by science fiction author Arthur C. Clarke. [44] In his book, Lovell indicated he chose the name Odyssey because he liked the word and its definition: a long voyage with many changes of fortune. [45] Launch vehicle and spacecraft CSM-109 Odyssey being assembled and tested The Saturn V rocket used to carry Apollo 13 to the Moon was numbered SA-508, and was almost identical to those used on Apollo   8 through 12. [47] Including the spacecraft, the rocket weighed in at 2, 949, 136 kilograms (6, 501, 733 lb). [3] The S-IC stage's engines were rated to generate 440, 000 newtons (100, 000 lbf) less total thrust than Apollo 12's, though they remained within specifications. Extra propellant was carried as a test since future J missions to the Moon would require more propellant for their heavier payloads. This made the vehicle the heaviest yet flown by NASA and Apollo 13 was visibly slower to clear the launch tower than earlier missions. [48] The Apollo 13 spacecraft consisted of Command Module 109 and Service Module 109 (together CSM-109), called Odyssey, and Lunar Module   7 (LM-7), called Aquarius. Also considered part of the spacecraft were the launch escape system which would propel the command module (CM) to safety in the event of a problem during liftoff, and the Spacecraft–LM Adapter, numbered as SLA-16, which housed the lunar module (LM) during the first hours of the mission. [49] [50] The LM stages, CM and service module (SM) were received at Kennedy Space Center (KSC) in June 1969; the portions of the Saturn V were received in June and July. Thereafter, testing and assembly proceeded, culminating with the rollout of the launch vehicle, with the spacecraft atop it, on December 15, 1969. [49] Apollo 13 was originally scheduled for launch on March 12, 1970; in January of that year NASA announced the mission would be postponed until April 11, both to allow more time for planning and to spread the Apollo missions over a longer period of time. [51] The plan was to have two Apollo flights per year, and was in response to budgetary constraints [52] that had recently seen the cancellation of Apollo 20. [53] Training and preparation Lovell practices deploying the flag The Apollo 13 prime crew undertook over 1, 000 hours of mission-specific training, more than five hours for every hour of the mission's ten-day planned duration. Each member of the prime crew spent over 400 hours in simulators of the CM and (for Lovell and Haise) of the LM at KSC and at Houston, some of which involved the flight controllers at Mission Control. [54] Flight controllers participated in many simulations of problems with the spacecraft in flight, which taught them how to react in an emergency. [11] Specialized simulators at other locations were also used by the crew members. [54] The astronauts of Apollo 11 had minimal time for geology training, with only six months between crew assignment and launch; higher priorities took much of their time. [55] Apollo 12 saw more such training, including practice in the field, using a CAPCOM and a simulated backroom of scientists, to whom the astronauts had to describe what they saw. [56] Scientist-astronaut Harrison Schmitt saw that there was limited enthusiasm for geology field trips. Believing an inspirational teacher was needed, Schmitt arranged for Lovell and Haise to meet his old professor, Caltech 's Lee Silver. The two astronauts, and backups Young and Duke, went on a field trip with Silver at their own time and expense. At the end of their week together, Lovell made Silver their geology mentor, who would be extensively involved in the geology planning for Apollo 13. [57] Farouk El-Baz oversaw the training of Mattingly and his backup, Swigert, which involved describing and photographing simulated lunar landmarks from airplanes. [58] El-Baz had all three prime crew astronauts describe geologic features they saw during their flights between Houston and KSC; Mattingly's enthusiasm caused other astronauts, such as Apollo 14's CMP, Roosa, to seek out El-Baz as a teacher. [59] Concerned about how close Apollo 11's LM, Eagle, had come to running out of propellant during its lunar descent, mission planners decided that beginning with Apollo 13, the CSM would bring the LM to the low orbit from which the landing attempt would commence. This was a change from Apollo 11 and 12, on which the LM made the burn to bring it to the lower orbit. The change was part of an effort to increase the amount of hover time available to the astronauts as the missions headed into rougher terrain. [60] The plan was to devote the first of the two four-hour lunar surface extravehicular activities (EVAs) to setting up the Apollo Lunar Surface Experiments Package (ALSEP) group of scientific instruments; during the second, Lovell and Haise would investigate Cone crater, near the planned landing site. [61] The two astronauts wore their spacesuits for some 20 walk-throughs of EVA procedures, including sample gathering and use of tools and other equipment. They flew in the " Vomit Comet " in simulated microgravity or lunar gravity, including practice in donning and doffing spacesuits. To prepare for the descent to the Moon's surface, Lovell flew the Lunar Landing Training Vehicle (LLTV). [62] Despite the fact that four of the five LLTVs and similar Lunar Landing Research Vehicles crashed during the course of the Apollo program, mission commanders considered flying them invaluable experience. [63] Experiments and scientific objectives Lovell (left) and Haise during geology training in Hawaii, January 1970 Apollo 13's designated landing site was near Fra Mauro crater; the Fra Mauro formation was believed to contain much material spattered by the impact that had filled the Imbrium basin early in the Moon's history. Dating it would provide information not only about the Moon, but about the Earth's early history. Such material was likely to be available at Cone crater, a site where an impact was believed to have drilled deep into the lunar regolith. [64] Apollo 11 had left a seismometer on the Moon, but the solar-powered unit did not survive its first two-week-long lunar night. The Apollo 12 astronauts also left one as part of its ALSEP, which was nuclear-powered. [65] Apollo 13 also carried a seismometer (known as the Passive Seismic Experiment, or PSE), similar to Apollo 12's, as part of its ALSEP, to be left on the Moon by the astronauts. [66] That seismometer was to be calibrated by the impact, after jettison, of the ascent stage of Apollo 13's LM, an object of known mass and velocity impacting at a known location. [67] Other ALSEP experiments on Apollo 13 included a Heat Flow Experiment (HFE), which would involve drilling two holes 3. 0 metres (10 ft) deep. [68] This was Haise's responsibility; he was also to drill a third hole of that depth for a core sample. [69] A Charged Particle Lunar Environment Experiment (CPLEE) measured the protons and electrons of solar origin reaching the Moon. [70] The package also included a Lunar Atmosphere Detector (LAD) [71] and a Dust Detector, to measure the accumulation of debris. [72] The Heat Flow Experiment and the CPLEE were flown for the first time on Apollo 13; the other experiments had been flown before. [69] Haise practices removing the fuel capsule from its transport cask mounted on the LM. The real cask sank unopened into the Pacific Ocean with its radioactive contents. To power the ALSEP, the SNAP-27 radioisotope thermoelectric generator (RTG) was flown. Developed by the U. Atomic Energy Commission, SNAP-27 was first flown on Apollo 12. The fuel capsule contained about 3. 79 kilograms (8. 36 lb) of plutonium oxide. The cask placed around the capsule for transport to the Moon was built with heat shields of graphite and of beryllium, and with structural parts of titanium and of Inconel materials. Thus, it was built to withstand the heat of reentry into the Earth's atmosphere rather than pollute the air with plutonium in the event of an aborted mission. [73] A United States flag was also taken, to be erected on the Moon's surface. [74] For Apollo 11 and 12, the flag had been placed in a heat-resistant tube on the front landing leg; it was moved for Apollo 13 to the Modularized Equipment Stowage Assembly (MESA) in the LM descent stage. The structure to fly the flag on the airless Moon was improved from Apollo 12's. [75] Since Lovell and Haise were to undertake longer traverses than on the earlier missions, the tool carrier which the Apollo 12 astronauts had hand-carried was expanded, given two wheels, and dubbed the Modular Equipment Transporter. [76] For the first time, red stripes were placed on the helmet, arms and legs of the commander's A7L spacesuit. This was done as after Apollo 11, those reviewing the images taken had trouble distinguishing Armstrong from Aldrin, but the change was approved too late for Apollo 12. [77] New drink bags that attached inside the helmets and were to be sipped from as the astronauts walked on the Moon were demonstrated by Haise during Apollo 13's final television broadcast before the accident. [78] [79] Apollo 13's primary mission objectives were to: "Perform selenological inspection, survey, and sampling of materials in a preselected region of the Fra Mauro Formation. Deploy and activate an Apollo Lunar Surface Experiments Package. Develop man's capability to work in the lunar environment. Obtain photographs of candidate exploration sites. " [80] The astronauts were also to accomplish other photographic objectives, including of the Gegenschein from lunar orbit, and of the Moon itself on the journey back to Earth. Some of this photography was to be performed by Swigert as Lovell and Haise walked on the Moon. [81] Swigert was also to take photographs of the Lagrangian points of the Earth-Moon system. Apollo 13 had twelve cameras on board, including those for television and moving pictures. [69] The crew was also to downlink bistatic radar observations of the Moon. None of these was attempted because of the accident. [81] Flight of Apollo 13 The circumlunar trajectory followed by Apollo 13, drawn to scale; the accident occurred about 56 hours into the mission Apollo 13 spacecraft configuration during most of the journey Launch and translunar injection Apollo 13 launches from Kennedy Space Center, April 11, 1970 The mission was launched at the planned time, 2:13:00 pm EST (19:13:00 UTC) on April 11. An anomaly occurred when the second-stage, center (inboard) engine shut down about two minutes early. [82] [83] This was caused by severe pogo oscillations. Starting with Apollo 10, the vehicle's guidance system was designed to shut the engine down in response to chamber pressure excursions. [84] Pogo oscillations had occurred on Titan rockets (used during the Gemini program) and on previous Apollo missions, [85] [86] but on Apollo 13 they were amplified by an interaction with turbopump cavitation. [87] [88] A fix to prevent pogo was ready for the mission, but schedule pressure did not permit the hardware's integration into the Apollo 13 vehicle. [84] [89] A post-flight investigation revealed the engine was one cycle away from catastrophic failure. [84] In spite of the shutdown, the four outboard engines and the S-IVB third stage burned longer to compensate, and the vehicle achieved very close to the planned circular 190 kilometers (100 nmi) parking orbit, followed by a translunar injection (TLI) about two hours later, setting the mission on course for the Moon. [82] [83] After TLI, Swigert performed the separation and transposition maneuvers before docking the CSM Odyssey to the LM Aquarius, and the spacecraft pulled away from the third stage. Ground controllers then sent the third stage on a course to impact the Moon in range of the Apollo 12 seismometer, which it did just over three days into the mission. [91] The crew settled in for the three-day trip to Fra Mauro. At 30:40:50 into the mission, with the TV camera running, the crew performed a burn to place Apollo 13 on a hybrid trajectory. The departure from a free-return trajectory meant that if no further burns were performed, Apollo 13 would miss Earth on its return trajectory, rather than intercept it, as with a free return. [92] A free return trajectory could only reach sites near the lunar equator; a hybrid trajectory, which could be started at any point after TLI, allowed sites with higher latitudes, such as Fra Mauro, to be reached. [93] Communications were enlivened when Swigert realized that in the last-minute rush, he had omitted to file his federal income tax return (due April 15), and amid laughter from mission controllers, asked how he could get an extension. He was found to be entitled to a 60-day extension for being out of the country at the deadline. [94] Entry into the LM to test its systems had been scheduled for 58:00:00; when the crew awoke on the third day of the mission, they were informed it had been moved up three hours and was later moved up again by another hour. A television broadcast was scheduled for 55:00:00; Lovell, acting as emcee, showed the audience the interiors of Odyssey and Aquarius. [95] The audience was limited by the fact that none of the television networks were carrying the broadcast, [96] forcing Marilyn Lovell (Jim Lovell's wife) to go to the VIP room at Mission Control if she wanted to watch her husband and his crewmates. [97] Accident Approximately six and a half minutes after the TV broadcast – approaching 56:00:00 – Apollo 13 was about 180, 000 nautical miles (210, 000 mi; 330, 000 km) from Earth. [98] Haise was completing the shutdown of the LM after testing its systems while Lovell stowed the TV camera. Jack Lousma, the CAPCOM, sent minor instructions to Swigert, including changing the attitude of the craft to facilitate photography of Comet Bennett. [98] [99] The pressure sensor in one of the SM's oxygen tanks had earlier appeared to be malfunctioning, so Sy Liebergot (the EECOM, in charge of monitoring the CSM's electrical system) requested that the stirring fans in the tanks be activated. Normally this was done once daily; this additional stir would destratify the contents of the tanks, making the pressure readings more accurate. [98] The Flight Director, Kranz, had Liebergot wait a few minutes for the crew to settle down after the telecast, [100] then Lousma relayed the request to Swigert, who activated the switches controlling the fans, [98] and after a few seconds turned them off again. [99] Ninety-five seconds after Swigert activated those switches, [100] the astronauts heard a "pretty large bang", accompanied by fluctuations in electrical power and the firing of the attitude control thrusters. [101] [102] Communications and telemetry to Earth were lost for 1. 8 seconds, until the system automatically corrected by switching the high-gain S-band antenna, used for translunar communications, from narrow-beam to wide-beam mode. [103] The accident happened at 55:54:53; Swigert reported 26 seconds later, "Okay, Houston, we've had a problem here, " echoed at 55:55:42 by Lovell, "Houston, we've had a problem. We've had a Main B Bus undervolt. " [98] Lovell's initial thought on hearing the noise was that Haise had activated the LM's cabin-repressurization valve, which also produced a bang (Haise enjoyed doing so to startle his crewmates) but Lovell could see that Haise had no idea what had happened. Swigert initially thought that a meteoroid might have struck the LM, but he and Lovell quickly realized there was no leak. [104] The Main Bus B undervolt meant that there was insufficient voltage flowing from the SM's three power cells (fueled by hydrogen and oxygen piped from their respective tanks) to the second of the SM's two power distribution systems. Almost everything in the CSM required power. Although the bus momentarily returned to normal status, soon both buses A and B were short on voltage. Haise checked the status of the fuel cells, and found that two of them were dead. Mission rules forbade entering lunar orbit unless all fuel cells were operational. [105] In the minutes after the accident, there were several unusual readings, showing that tank   2 was empty and tank   1's pressure slowly falling, that the computer on the spacecraft had reset, and that the high-gain antenna was not working. Liebergot initially missed the worrying signs from tank   2 following the stir, as he was focusing on tank   1, believing that its reading would be a good guide to what was present in tank   2; so did controllers supporting him in the "back room". When Kranz questioned Liebergot on this he initially responded that there might be false readings due to an instrumentation problem; he was often teased about that in the years to come. [11] Lovell, looking out the window, reported "a gas of some sort" venting into space, making it clear that there was a serious problem. [106] Since the fuel cells needed oxygen to operate, when Oxygen Tank   1 ran dry, the remaining fuel cell would shut down, meaning the CSM's only significant sources of power and oxygen would be the CM's batteries and its oxygen "surge tank". These would be needed for the final hours of the mission, but the remaining fuel cell, already starved for oxygen, was drawing from the surge tank. Kranz ordered the surge tank isolated, saving its oxygen, but this meant that the remaining fuel cell would die within two hours, as the oxygen in tank   1 was consumed or leaked away. [105] The volume surrounding the spacecraft was filled with myriad small bits of debris from the accident, complicating any efforts to use the stars for navigation. [107] The mission's goal became simply getting the astronauts back to Earth alive. [108] Looping around the Moon This depiction of a direct abort (from a 1966 planning report) contemplates returning from a point much earlier in the mission, and closer to Earth, than where the Apollo 13 accident occurred. The lunar module had charged batteries and full oxygen tanks for use on the lunar surface, so Kranz directed that the astronauts power up the LM and use it as a "lifeboat" [11]  – a scenario anticipated but considered unlikely. [109] Procedures for using the LM in this way had been developed by LM flight controllers after a training simulation for Apollo 10 in which the LM was needed for survival, but could not be powered up in time. [108] Had Apollo 13's accident occurred on the return voyage, with the LM already jettisoned, the astronauts would have died. [110] A key decision was the choice of return path. A "direct abort" would use the SM's main engine (the Service Propulsion System or SPS) to return before reaching the Moon. But the accident could have damaged the SPS, and the fuel cells would have to last at least another hour to meet its power requirements, so Kranz instead decided on a longer route: the spacecraft would swing around the Moon before heading back to Earth. Apollo 13 was on the hybrid trajectory which was to take it to Fra Mauro; it now needed to be brought back to a free return. The LM's Descent Propulsion System (DPS), although not as powerful as the SPS, could do this, but new software for Mission Control's computers needed to be written by technicians as it had never been contemplated that the CSM/LM spacecraft would have to be maneuvered by the DPS. As the CM was being shut down, Lovell copied down its guidance system's orientation information and performed hand calculations to transfer it to the LM's guidance system, which had been turned off; at his request Mission Control checked his figures. [108] [111] At 61:29:43. 49 the DPS burn of 34. 23 seconds took Apollo 13 back to a free return trajectory. [112] The Apollo 13 crew photographed the Moon out of the Lunar Module. The change would get Apollo 13 back to Earth in about four days' time – though with splashdown in the Indian Ocean, where NASA had few recovery forces. Jerry Bostick and other Flight Dynamics Officers (FIDOs) were anxious both to shorten the travel time and to move splashdown to the Pacific Ocean, where the main recovery forces were located. One option would shave 36 hours off the return time, but required jettisoning the SM; this would expose the CM's heat shield to space during the return journey, something for which it had not been designed. The FIDOs also proposed other solutions. After a meeting involving NASA officials and engineers, the senior individual present, Manned Spaceflight Center director Robert R. Gilruth, decided on a burn using the DPS, that would save 12 hours and land Apollo 13 in the Pacific. This "PC+2" burn would take place two hours after pericynthion, the closest approach to the Moon. [108] At pericynthion, Apollo 13 set the record (per the Guinness Book of World Records), which still stands, for the highest absolute altitude attained by a crewed spacecraft: 400, 171 kilometers (248, 655 mi) from Earth at 7:21 pm EST, April 14 (00:21:00 UTC April 15). [113] [note 4] While preparing for the burn the crew was told that the S-IVB had impacted the Moon as planned, leading Lovell to quip, "Well, at least something worked on this flight. " [116] [117] Kranz's White team of mission controllers, which had spent most of their time supporting other teams and developing the procedures urgently needed to get the astronauts home, took their consoles for the PC+2 procedure. [118] Normally, the accuracy of such a burn could be assured by checking the alignment Lovell had transferred to the LM's computer against the position of one of the stars astronauts used for navigation, but the light glinting off the many pieces of debris accompanying the spacecraft made that impractical. The astronauts used the one star available whose position could not be obscured – the Sun. Houston also informed them that the Moon would be centered in the commander's window of the LM as they made the burn, which was almost perfect – less than 0. 3 meters (a foot) per second off. [116] The burn, at 79:27:38. 95, lasted four minutes, 23 seconds. [119] The crew then shut down most LM systems to conserve consumables. [116] Return to earth Swigert with the rig improvised to adapt the CM's lithium hydroxide canisters for use in the LM The LM carried enough oxygen, but that still left the problem of removing carbon dioxide, which was absorbed by canisters of lithium hydroxide pellets. The LM's stock of canisters, meant to accommodate two astronauts for 45 hours on the Moon, was not enough to support three astronauts for the return journey to Earth. [120] The CM had enough canisters, but they were the wrong shape and size to work in the LM's equipment. Engineers on the ground devised a way to bridge the gap, using plastic, covers ripped from procedures manuals, duct tape, and other items. [121] [122] NASA engineers referred to the improvised device as "the mailbox". The procedure for building the device was read to the crew by CAPCOM Joe Kerwin over the course of an hour, and it was built by Swigert and Haise; carbon dioxide levels began dropping immediately. Lovell later described this improvisation as "a fine example of cooperation between ground and space". [123] Lovell tries to rest in the frigid spacecraft The CSM's electricity came from fuel cells that produced water as a byproduct, but the LM was powered by silver-zinc batteries, so both electrical power and water (needed for equipment cooling as well as drinking) would be critical. LM power consumption was reduced to the lowest level possible; [124] Swigert was able to fill some drinking bags with water from the CM's water tap, [116] but even assuming rationing of personal consumption, Haise initially calculated they would run out of water for cooling about five hours before reentry. This seemed acceptable because the systems of Apollo 11's LM, once jettisoned in lunar orbit, had continued to operate for seven to eight hours even with the water cut off. In the end, Apollo 13 returned to Earth with 12. 8 kilograms (28. 2 lb) of water remaining. [125] The crew's ration was 0. 2 liters of water per person per day; the three astronauts lost a total of 14 kilograms (31 lb) among them, and Haise developed a urinary tract infection. [126] [127] Apollo 13: Houston, We've Got a Problem (1970) — Documentary about the mission by NASA (28:21) Inside the darkened spacecraft, the temperature dropped as low as 3 °C (38 °F). Lovell considered having the crew don their spacesuits, but decided this would be too hot. Instead, Lovell and Haise wore their lunar EVA boots and Swigert put on an extra coverall. All three astronauts were cold, especially Swigert, who had got his feet wet while filling the water bags and had no lunar overshoes (since he had not been scheduled to walk on the Moon). As they had been told not to discharge their urine to space to avoid disturbing the trajectory, they had to store it in bags. Water condensed on the walls, though any condensation there may have been behind equipment panels [128] caused no problems, partly because of the extensive electrical insulation improvements instituted after the Apollo 1 fire. [129] Despite all this the crew voiced few complaints. [130] Flight controller John Aaron, along with Mattingly and several engineers and designers, devised a procedure for powering up the command module from full shutdown – something never intended to be done in flight, much less under Apollo 13's severe power and time constraints. [131] The astronauts implemented the procedure without apparent difficulty: Kranz later credited the fact that all three astronauts had been test pilots, accustomed to having to work in critical situations with their lives on the line, for their survival. [130] Reentry and splashdown Despite the accuracy of the transearth injection, the spacecraft slowly drifted off course, necessitating a correction. As the LM's guidance system had been shut down following the PC+2 burn, the crew was told to use the line between night and day on the Earth to guide them, a technique used on NASA's earth-orbit missions but never on the way back from the Moon. [130] This DPS burn, at 105:18:42 for 14 seconds, brought the projected entry flight path angle back within safe limits. Nevertheless, yet another burn was needed at 137:40:13, using the LM's reaction control system (RCS) thrusters, for 21. 5 seconds. The SM was jettisoned less than half an hour later, allowing the crew to see the damage for the first time, and photograph it. They reported that an entire panel was missing from the SM's exterior, the fuel cells above the oxygen tank shelf were tilted, that the high-gain antenna was damaged, and there was a considerable amount of debris elsewhere. [132] Haise could see damage to the SM's engine bell, validating Kranz's decision not to use the SPS. [130] Apollo 13 splashes down in the South Pacific on April 17, 1970 The last problem to be solved was how to separate the lunar module a safe distance away from the command module just before reentry. The normal procedure, in lunar orbit, was to release the LM then use the service module's RCS to pull the CSM away, but by this point the SM had already been released. Grumman, manufacturer of the LM, assigned a team of University of Toronto engineers, led by senior scientist Bernard Etkin, to solve the problem of how much air pressure to use to push the modules apart. The astronauts applied the solution, which was successful. [133] The LM reentered Earth's atmosphere and was destroyed, the remaining pieces falling in the deep ocean. [134] [135] Apollo 13's final midcourse correction had addressed the concerns of the Atomic Energy Commission, which wanted the cask containing the plutonium oxide intended for the SNAP-27 RTG to land in a safe place. The impact point was over the Tonga Trench in the Pacific, one of its deepest points, and the cask sank 10 kilometers (6 mi) to the bottom. Later helicopter surveys found no radioactive leakage. [130] Ionization of the air around the command module during reentry would typically cause a four-minute communications blackout. Apollo 13's shallow reentry path lengthened this to six minutes, longer than had been expected; controllers feared that the CM's heat shield had failed. [136] Odyssey regained radio contact and splashed down safely in the South Pacific Ocean, 21°38′24″S 165°21′42″W  /  21. 36167°W, [137] southeast of American Samoa and 6. 5 km (3. 5 nmi) from the recovery ship, USS Iwo Jima. [138] Although fatigued, the crew was in good condition except for Haise, who was suffering from a serious urinary tract infection because of insufficient water intake. [127] The crew stayed overnight on the ship and flew to Pago Pago, Samoa, the next day. They flew to Hawaii, where President Richard Nixon awarded them the Presidential Medal of Freedom, the highest civilian honor. [139] They stayed overnight, and then were flown back to Houston. [140] En route to Honolulu, President Nixon stopped at Houston to award the Presidential Medal of Freedom to the Apollo 13 Mission Operations Team. [141] He originally planned to give the award to NASA administrator Dr. Thomas O. Paine, but Paine recommended the mission operations team. [142] Public and media reaction Nobody believes me, but during this six-day odyssey we had no idea what an impression Apollo 13 made on the people of Earth. We never dreamed a billion people were following us on television and radio, and reading about us in banner headlines of every newspaper published. We still missed the point on board the carrier Iwo Jima, which picked us up, because the sailors had been as remote from the media as we were. Only when we reached Honolulu did we comprehend our impact: there we found President Nixon and [NASA Administrator] Dr. Paine to meet us, along with my wife Marilyn, Fred's wife Mary (who being pregnant, also had a doctor along just in case), and bachelor Jack's parents, in lieu of his usual airline stewardesses. —  Jim Lovell [127] Worldwide interest in the Apollo program was reawakened by the incident; television coverage of which was seen by millions. Four Soviet ships headed toward the landing area to assist if needed, [143] and other nations offered assistance should the craft have to splash down elsewhere. [144] President Nixon canceled appointments, phoned the astronauts' families, and drove to NASA's Goddard Space Flight Center in Greenbelt, Maryland, where Apollo's tracking and communications were coordinated. [143] The rescue received more public attention than any spaceflight to that point, other than the first Moon landing on Apollo 11. There were worldwide headlines, and people surrounded television sets to get the latest developments, offered by networks who interrupted their regular programming for bulletins. Pope Paul VI led a congregation of 10, 000 people in praying for the astronauts' safe return; ten times that number offered prayers at a religious festival in India. [145] The United States Senate on April 14 passed a resolution urging businesses to pause at 9:00   pm local time that evening to allow for employee prayer. [143] An estimated 40 million Americans watched Apollo 13's splashdown, carried live on all three networks, with another 30 million watching some portion of the six and one-half hour telecast. Even more outside the U. watched. Jack Gould of The New York Times stated that Apollo 13, "which came so close to tragic disaster, in all probability united the world in mutual concern more fully than another successful landing on the Moon would have". [146] Investigation and response Review board Oxygen tank number 2, showing heater and thermostat unit Immediately upon the crew's return, NASA Administrator Paine and Deputy Administrator George Low appointed a review board – chaired by NASA Langley Research Center Director Edgar M. Cortright and including Neil Armstrong and six others [note 5]  – to investigate the accident. The board's final report, sent to Paine on June 15, [148] found that the failure began in the service module's number   2 oxygen tank. [149] Damaged Teflon insulation on the wires to the stirring fan inside Oxygen Tank   2 allowed the wires to short-circuit and ignite this insulation. The resulting fire quickly increased pressure inside the tank and the tank dome failed, filling the fuel cell bay (SM Sector   4) with rapidly expanding gaseous oxygen and combustion products. The escaping gas was probably enough by itself to blow out the aluminum exterior panel to Sector   4, but combustion products generated as nearby insulation ignited would have added to the pressure. The panel's departure exposed the sector to space, snuffing out the fire, and it probably hit the nearby high-gain antenna, disrupting communications to Earth for 1. 8 seconds. [150] The sectors of the SM were not airtight from each other, and had there been time for the entire SM to become as pressurized as Sector   4, the force on the CM's heat shield would have separated the two modules. The report questioned the use of Teflon and other materials shown to be flammable in supercritical oxygen, such as aluminum, within the tank. [151] The board found no evidence pointing to any other theory of the accident. [152] Mechanical shock forced the oxygen valves closed on the number   1 and number   3 fuel cells, putting them out of commission. [153] The sudden failure of Oxygen Tank   2 compromised Oxygen Tank   1, causing its contents to leak out, possibly through a damaged line or valve, over the next 130 minutes, entirely depleting the SM's oxygen supply. [154] [155] With both SM oxygen tanks emptying, and with other damage to the SM, the mission had to be aborted. [156] The board praised the response to the emergency, "The imperfection in Apollo 13 constituted a near disaster, averted only by outstanding performance on the part of the crew and the ground control team which supported them. " [157] Oxygen Tank 2 was manufactured by the Beech Aircraft Company of Boulder, Colorado, as subcontractor to North American Rockwell (NAR) of Downey, California, prime contractor for the CSM. [158] It contained two thermostatic switches, originally designed for the command module's 28-volt DC power, but which could fail if subjected to the 65 volts used during ground testing at KSC. [159] Under the original 1962 specifications, the switches would be rated for 28 volts, but revised specifications issued in 1965 called for 65 volts to allow for quicker tank pressurization at KSC. Nonetheless, the switches Beech used were not rated for 65 volts. [160] Panel similar to the SM Sector   4 cover being ejected during a test performed as part of the investigation At NAR's facility, Oxygen Tank 2 had been originally installed in an oxygen shelf placed in the Apollo 10 service module, SM-106, but which was removed to fix a potential electromagnetic interference problem and another shelf substituted. During removal, the shelf was accidentally dropped at least 5 centimeters (2 in) because a retaining bolt had not been removed. The probability of damage from this was low, but it is possible that the fill line assembly was loose and made worse by the fall. After some retesting (which did not include filling the tank with liquid oxygen), in November 1968 the shelf was re-installed in SM-109, intended for Apollo 13, which was shipped to KSC in June 1969. [161] The Countdown Demonstration Test took place with SM-109 in its place near the top of the Saturn V and began on March 16, 1970. During the test, the cryogenic tanks were filled, but Oxygen Tank 2 could not be emptied through the normal drain line, and a report was written documenting the problem. After discussion among NASA and the contractors, attempts to empty the tank resumed on March 27. When it would not empty normally, the heaters in the tank were turned on to boil off the oxygen. The thermostatic switches were designed to prevent the heaters from raising the temperature higher than 27 °C (80 °F), but they failed under the 65-volt power supply applied. Temperatures on the heater tube within the tank may have reached 540 °C (1, 000 °F), most likely damaging the Teflon insulation. [159] The temperature gauge was not designed to read higher than 29 °C (85 °F), so the technician monitoring the procedure detected nothing unusual. This heating had been approved by Lovell and Mattingly of the prime crew, as well as by NASA managers and engineers. [162] [163] Replacement of the tank would have delayed the mission by at least a month. [126] The tank was filled with liquid oxygen again before launch; once electric power was connected, it was in a hazardous condition. [156] The board found that Swigert's activation of the Oxygen Tank   2 fan at the request of Mission Control caused an electrical arc that set the tank on fire. [164] The board conducted a test of an oxygen tank rigged with hot-wire ignitors that caused a rapid rise in temperature within the tank, after which it failed, producing telemetry similar to that seen with the Apollo 13 Oxygen Tank 2. [165] Tests with panels similar to the one that was seen to be missing on SM Sector   4 caused separation of the panel in the test apparatus. [166] Changes in response Redesigned oxygen tank for Apollo   14 For Apollo 14 and subsequent missions, the oxygen tank was redesigned, the thermostats being upgraded to handle the proper voltage. The heaters were retained since they were necessary to maintain oxygen pressure. The stirring fans, with their unsealed motors, were removed, which meant the oxygen quantity gauge was no longer accurate. This required adding a third tank so that no tank would go below half full. [167] The third tank was placed in Bay   1 of the SM, on the side opposite the other two, and was given an isolation valve that could isolate it from the fuel cells and from the other two oxygen tanks in an emergency, and allow it to feed the CM's environmental system only. The quantity probe was upgraded from aluminum to stainless steel. [168] All electrical wiring in Bay   4 was sheathed in stainless steel. The fuel cell oxygen supply valves were redesigned to isolate the Teflon-coated wiring from the oxygen. The spacecraft and Mission Control monitoring systems were modified to give more immediate and visible warnings of anomalies. [167] An emergency supply of 19 litres (5 US gal) of water was stored in the CM, and an emergency battery, identical to those that powered the LM's descent stage, was placed in the SM. The LM was modified to make transfer of power from LM to CM easier. [169] Devices were placed in the S-II second stage to counteract pogo oscillations. [170] Aftermath On February 5, 1971, Apollo 14 's LM, Antares, landed on the Moon with astronauts Alan Shepard and Edgar Mitchell aboard, near Fra Mauro, the site Apollo 13 had been intended to explore. [171] Haise served as CAPCOM during the descent to the Moon, [172] and during the second EVA, during which Shepard and Mitchell explored near Cone crater. [173] None of the Apollo 13 astronauts flew in space again. Lovell retired from NASA and the Navy in 1973, entering the private sector. [174] Swigert was to have flown on the Apollo-Soyuz Test Project (the first joint mission with the Soviet Union) but was removed as part of the fallout from the Apollo 15 postal covers incident. He took a leave of absence from NASA in 1973 and left the agency to enter politics, being elected to the House of Representatives in 1982, but died of cancer before he could be sworn in. [175] Haise was slated to have been the commander of the canceled Apollo 19 mission, and flew the Space Shuttle Approach and Landing Tests before retiring from NASA in 1979. [176] Several experiments were completed even though the mission did not land on the Moon. [177] One involved the launch vehicle's S-IVB (the Saturn V's third stage) which on prior missions had been sent into solar orbit once detached. The seismometer left by Apollo 12 had detected frequent impacts of small objects onto the Moon, but larger impacts would yield more information about the Moon's crust, so it was decided that beginning with Apollo 13, the S-IVB would be crashed into the Moon. [178] The impact occurred at 77:56:40 into the mission and produced enough energy that the gain on the seismometer, 117 kilometers (73 mi) from the impact, had to be reduced. [91] An experiment to measure the amount of atmospheric electrical phenomena during the ascent to orbit – added after Apollo 12 was struck by lightning – returned data indicating a heightened risk during marginal weather. A series of photographs of Earth, taken to test whether cloud height could be determined from synchronous satellites, achieved the desired results. [177] The Apollo 13 command module Odyssey on display at the Cosmosphere in Hutchinson, Kansas The CM's interior components were removed during the investigation of the accident and reassembled into boilerplate BP-1102A, the water egress training module, which was subsequently on display at the Museum of Natural History and Science in Louisville, Kentucky, until 2000. Meanwhile, the exterior shell was displayed at the Musée de l'air et de l'espace, in Paris. The command module shell and the internal components were reassembled, and Odyssey is currently on display at the Cosmosphere in Hutchinson, Kansas. [179] Apollo 13 was called a "successful failure" by Lovell. [180] It has been repeatedly called, "NASA's finest hour". [181] [182] [183] [184] Author Colin Burgess wrote, "the life-or-death flight of Apollo 13 dramatically evinced the colossal risks inherent in manned spaceflight. Then, with the crew safely back on Earth, public apathy set in once again. " [185] William R. Compton, in his book about the Apollo Program, said of Apollo 13, "Only a heroic effort of real-time improvisation by mission operations teams saved the crew. " [186] Rick Houston and Milt Heflin, in their history of Mission Control, stated, "Apollo 13 proved mission control could bring those space voyagers back home again when their lives were on the line. " [187] Former NASA chief historian Roger D. Launius wrote, "More than any other incident in the history of spaceflight, recovery from this accident solidified the world’s belief in NASA’s capabilities". [188] Nevertheless, the accident convinced some officials, such as Manned Spaceflight Center director Gilruth, that if NASA kept sending astronauts on Apollo missions, some would inevitably be killed, and they called for as quick an end as possible to the program. [188] Nixon's advisers recommended canceling the remaining lunar missions, saying that a disaster in space would cost him political capital. [189] Budget cuts made such a decision easier, and during the pause after Apollo 13, two missions were canceled, meaning that the program ended with Apollo 17 in December 1972. [188] [190] Popular culture and media Command module replica used during Apollo 13 filming The 1974 movie Houston, We've Got a Problem, while set around the Apollo 13 incident, is a fictional drama about the crises faced by ground personnel when the emergency disrupts their work schedules and places further stress on their lives. Lovell publicly complained about the movie, saying it was "fictitious and in poor taste". [191] [192] "Houston... We've Got a Problem" was the title of an episode of the BBC documentary series A Life At Stake, broadcast in March 1978. This was an accurate, if simplified, reconstruction of the events. [193] In 1994, during the 25th anniversary of Apollo 11, PBS released a 90-minute documentary titled Apollo 13: To the Edge and Back. [194] [195] Following the flight, the crew planned to write a book, but they all left NASA without starting it. After Lovell retired in 1991, he was approached by journalist Jeffrey Kluger about writing a non-fiction account of the mission. Swigert died in 1982 and Haise was no longer interested in such a project. The resultant book, Lost Moon: The Perilous Voyage of Apollo 13, was published in 1994. [196] The next year, in 1995, a film adaptation of the book, Apollo 13, was released, directed by Ron Howard and starring Tom Hanks as Lovell, Bill Paxton as Haise, Kevin Bacon as Swigert, Gary Sinise as Mattingly, Ed Harris as Kranz, and Kathleen Quinlan as Marilyn Lovell. James Lovell, Kranz, and other principals have stated that this film depicted the events of the mission with reasonable accuracy, given that some dramatic license was taken. For example, the film changes the tense of Lovell's famous follow-up to Swigert's original words from, "Houston, we've had a problem" to " Houston, we have a problem ". [98] [197] The film also invented the phrase " Failure is not an option ", uttered by Harris as Kranz in the film; the phrase became so closely associated with Kranz that he used it for the title of his 2000 autobiography. [197] The film won two of the nine Academy Awards it was nominated for, Best Film Editing and Best Sound. [198] [199] In the 1998 miniseries From the Earth to the Moon, co-produced by Hanks and Howard, the mission is dramatized in the episode "We Interrupt This Program". Rather than showing the incident from the crew's perspective as in the Apollo 13 feature film, it is instead presented from an Earth-bound perspective of television reporters competing for coverage of the event. [200] Gallery Lovell practices deploying the ALSEP during training The Apollo 13 launch vehicle being rolled out, December 1969 Lunar module Aquarius after it was jettisoned above the Earth Mission Control celebrates the successful splashdown The crew speaking with President Nixon shortly after their return Replica of the lunar plaque with Swigert's name that was to cover the one attached to Aquarius with Mattingly's name Notes ^ No Apollo astronaut flew without life insurance, but the policies were paid for by private third parties whose involvement was not publicized. [9] ^ The role of the backup crew was to train and be prepared to fly in the event something happened to the prime crew. [19] Backup crews, according to the rotation, were assigned as the prime crew three missions after their assignment as backups. [20] ^ Some sources list Kerwin [29] and others list Pogue as the third member [30] [31] [32] ^ The record was set because the Moon was nearly at its furthest from Earth during the mission. Apollo 13's unique free return trajectory caused it to go approximately 100 kilometers (60 mi) further from the lunar far side than other Apollo lunar missions, but this was a minor contribution to the record. [114] A reconstruction of the trajectory by astrodynamicist Daniel Adamo in 2009 records the furthest distance as 400, 046 kilometers (248, 577 mi) at 7:34 pm EST (00:34:13 UTC). Apollo 10 holds the record for second-furthest at a distance of 399, 806 kilometers (248, 428 mi). [115] ^ The others were Robert F. Allnutt (Assistant to the Administrator, NASA Hqs. ); Dr. John F. Clark (Director, Goddard Space Flight Center); Brig. General Walter R. Hedrick Jr. (Director of Space, DCS/RED, Hqs., USAF); Vincent L. Johnson (Deputy Associate Administrator-Engineering, Office of Space Science and Applications); Milton Klein (Manager, AEC-NASA Space Nuclear Propulsion Office); Dr. Hans M. Mark (Director, Ames Research Center). [147] References ^ "Apollo 13 CM".. Retrieved August 18, 2019. ^ Orloff 2000, p. 309. ^ a b Orloff 2000, p. 284. ^ Orloff 2000, p. 307. ^ a b "Apollo 11 Mission Overview". NASA. December 21, 2017. Retrieved February 14, 2019. ^ "Mercury and Gemini". The Space Race. National Air and Space Museum. Retrieved February 11, 2019. ^ Chaikin 1998, pp. 232–233. ^ Chaikin 1998, p. 285. ^ a b Weinberger, Howard C. "Apollo Insurance Covers". Space Flown Artifacts (Chris Spain). Retrieved December 11, 2019. ^ a b Neufeld, Michael J. (July 24, 2019). 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Retrieved July 27, 2019. ^ "Apollo's Schedule Shifted by NASA". The New York Times. January 9, 1970. p. 17. ^ "Apollo 13 and 14 may be set back". UPI. January 6, 1970. p. 26. ^ a b Apollo 13 Press Kit 1970, p. 104. ^ Phinney 2015, p. 100. ^ Phinney 2015, pp. 103–104. ^ Phinney 2015, pp. 107–111. ^ Phinney 2015, p. 134. ^ Phinney 2015, pp. 141–142. ^ Harland 1999, p. 53. ^ Orloff & Harland 2006, p. 363. ^ Apollo 13 Press Kit 1970, p. 105. ^ Jones, Eric M. (April 29, 2006). "Lunar Landing Training Vehicle NASA 952". Apollo Lunar Surface Journal. 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Retrieved May 30, 2017. ^ a b Benson & Faherty 1979, pp. 494–499. ^ a b c Larsen 2008, p. 5-13. ^ Fenwick, Jim (Spring 1992). "Pogo". Threshold. Pratt & Whitney Rocketdyne. Archived from the original on December 13, 2007. Retrieved July 3, 2013. ^ Larsen 2008, pp. 5-7–5-12. ^ Dotson, Kirk (Winter 2003–2004). "Mitigating Pogo on Liquid-Fueled Rockets" (PDF). Crosslink. El Segundo, California: The Aerospace Corporation. 5 (1): 26–29. Retrieved July 3, 2013. ^ Woods, W. David; Turhanov, Alexandr; Waugh, Lennox J., eds. (2016). "Launch and Reaching Earth Orbit". Apollo 13 Flight Journal. Retrieved August 5, 2019. ^ Atkinson, Nancy (April 14, 2010). "13 things that saved Apollo 13, Part 5: Unexplained shutdown of the Saturn V center engine". Retrieved September 16, 2019. ^ a b Orloff & Harland 2006, p. 367. ^ "Day 2: Midcourse correction 2 on TV". Retrieved August 7, 2019. ^ "Apollo lunar landing launch window: The controlling factors and constraints". 2009. Retrieved December 2, 2019. ^ NASA 1970, p. 8. ^ Woods, W. "Day 3: Before the storm". Retrieved August 27, 2019. ^ Houston, Heflin & Aaron 2015, p. 206. ^ Chaikin 1998, pp. 285–287. ^ a b c d e f Woods, W. David; Kemppanen, Johannes; Turhanov, Alexander; Waugh, Lennox J. (May 30, 2017). "Day 3: 'Houston, we've had a problem ' ". Retrieved August 18, 2019. ^ a b Chaikin 1998, p. 292. ^ a b Houston, Heflin & Aaron 2015, p. 207. ^ Orloff & Harland 2006, p. 368. ^ Orloff 2000, pp. 152–157. ^ Accident report, p. 4-44. ^ Chaikin 1998, p. 293. ^ a b Chaikin 1998, pp. 293–294. ^ Houston, Heflin & Aaron 2015, p. 215. ^ Chaikin 1998, p. 299. ^ a b c d Cass, Stephen (April 1, 2005). "Houston, we have a solution, part 2". Retrieved August 31, 2019. ^ Lovell & Kluger 2000, pp. 83–87. ^ "Apollo 13 Lunar Module/ALSEP". NASA Space Science Data Coordinated Archive. 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April 19, 1970. p. 1 – via ^ Apollo 13 Mission Report 1970, p. 10-5. ^ "Behind the Scenes of Apollo 13". Richard Nixon Foundation. April 11, 2016. Retrieved June 27, 2019. ^ "Remarks on Presenting the Presidential Medal of Freedom to Apollo 13 Mission Operations Team in Houston". The American Presidency Project. Retrieved December 27, 2017. ^ a b c NASA 1970, p. 15. ^ Benson & Faherty 1979, pp. 489–494. ^ Chaikin 1998, p. 316. ^ Gould, Jack (April 18, 1970). "TV: Millions of viewers end vigil for Apollo 13". p. 59. ^ Accident report, pp. 1-1–1-4. ^ Accident report, p. 15. ^ Accident report, p. 4-36. ^ Orloff & Harland 2006, pp. 372–373. ^ Accident report, pp. 5-6–5-7, 5-12–5-13. ^ Accident report, p. 4-37. ^ Accident report, p. 4-40. ^ Orloff & Harland 2006, p. 372. ^ Accident report, p. 4-43. ^ a b Orloff & Harland 2006, p. 375. ^ Accident report, p. ii. ^ Accident report, p. 4-2. ^ a b Accident report, p. 4-23. ^ Orloff & Harland 2006, p. 374. ^ Accident report, pp. 4-19, 4-21. ^ Chaikin 1998, pp. 330–331. ^ Williams, David R. "The Apollo 13 Accident". Retrieved December 31, 2012. ^ Chaikin 1998, p. 333. ^ Accident report, appendix F–H, pp. F-48–F-49. ^ Accident report, appendix F–H, pp. F-70–F-82. ^ a b Gatland 1976, p. 281. ^ Apollo 14 Press Kit 1971, pp. 96–97. ^ Apollo 14 Press Kit 1971, pp. 96–98. ^ Apollo 14 Press Kit 1971, p. 95. ^ "Apollo 14 mission". USRA. Lunar and Planetary Institute. Retrieved September 15, 2019. ^ Jones, Eric M., ed. (January 12, 2016). "Landing at Far Mauro". Apollo 14 Lunar Surface Journal. Retrieved November 24, 2019. ^ Jones, Eric M., ed. (September 29, 2017). "Climbing Cone Ridge – where are we? ". Retrieved November 24, 2019. ^ "Astronaut Bio: James A. Lovell". Archived from the original on January 12, 2017. Retrieved December 16, 2016. ^ Carney, Emily (August 29, 2014). "For Jack Swigert, on his 83rd birthday". AmericaSpace. Retrieved November 24, 2019. ^ Howell, Elizabeth. "Astronaut Fred Haise: Apollo 13 Crewmember".. Retrieved November 24, 2019. ^ a b "Apollo 13 mission: Science experiments". Retrieved August 8, 2019. ^ Harland 1999, p. 50. ^ "Apollo 13 Capsule Headed for Kansas". The Manhattan Mercury. Manhattan, Kansas. December 29, 1996. p. A2 – via ^ Cortright 1975, pp. 247–249. ^ Shiflett, Kim (April 17, 2015). "Members of Apollo 13 Team Reflect on 'NASA's Finest Hour ' ". Retrieved June 16, 2018. ^ Foerman, Paul; Thompson, Lacy, eds. (April 2010). "Apollo 13 – NASA's 'successful failure ' " (PDF). Lagniappe. Hancock County, Mississippi: John C. Stennis Space Center. 5 (4): 5–7. Retrieved July 4, 2013. ^ Seil, Bill (July 5, 2005). "NASA's Finest Hour: Sy Liebergot recalls the race to save Apollo 13" (PDF). Boeing News Now. Boeing Company. Archived from the original (PDF) on April 9, 2012. ^ Chaikin 1998, p. 335. ^ Burgess 2019, p. 23. ^ Compton 1989, pp. 196–199. ^ Houston, Heflin & Aaron 2015, p. 199. ^ a b c Launius 2019, p. 187. ^ Chaikin 1998, p. 336. ^ Burgess 2019, pp. 22–27. ^ "Apollo 13 Movie Irks Lovell". The South Bend Tribune. South Bend, Indiana. February 28, 1974. p. 5 – via ^ Rosenwald, Michael S. (April 13, 2017). " ' Houston, we have a problem': The amazing history of the iconic Apollo 13 misquote". The Washington Post. Archived from the original on May 21, 2019. ^ Meades, Jonathan (March 26, 1978). "The Week in View". The Observer. London, England. p. 29 – via ^ "Wednesday Highlights". TV Week. Chicago, Illinois. July 17, 1994. p. 25 – via ^ "Space Specials at a Glance". Florida Today. Cocoa, Florida. p. 3 – via ^ Dunn, Marcia (December 11, 1994). "Lovell Describes the Dark Side of Moon Shots". The Post-Crescent. Appleton, Wisconsin. p. F-8 – via ^ a b Granath, Bob (April 17, 2015). Retrieved July 1, 2019. ^ "The Winners". The Herald-Palladium. Saint Joseph, Michigan. March 26, 1996. p. 4B – via ^ Barnes, Harper (February 14, 1996). " ' Braveheart', 'Apollo 13' Lead Oscar Nominees". St. Louis Post Dispatch. Louis, Missouri. p. 4A – via ^ Sterngold, James (April 5, 1998). "Tom Hanks Flies us to the Moon via HBO". Santa Cruz Sentinel. Santa Cruz, California. p. C-6 – via Sources Adamo, Daniel (2009). "The Elusive Human Maximum Altitude Record". Quest: The History of Spaceflight Quarterly. Vol. 16 no. 4. ISSN   1065-7738. Apollo 13 Press Kit (PDF). : NASA. 1970. 70-50K. Apollo 14 Press Kit (PDF). 1971. 71-3K. Apollo Program Summary Report (PDF) (Report). National Aeronautics and Space Administration. 1975. JSC-09423. Barell, John (2016). Antarctic Adventures: Life Lessons from Polar Explorers. Balboa Press. ISBN   978-1-5043-6651-9. Benson, Charles D. ; Faherty, William Barnaby (1978). Moonport: A History of Apollo Launch Facilities and Operations (PDF). NASA History Series. SP-4204. Brooks, Courtney G. ; Grimwood, James M. ; Swenson, Loyd S. Jr. (1979). Chariots for Apollo: A History of Manned Lunar Spacecraft (PDF). : Scientific and Technical Information Branch, NASA. ISBN   978-0-486-46756-6. LCCN   79001042. OCLC   4664449. NASA SP-4205. Burgess, Colin (2019). Shattered Dreams: The Lost and Canceled Space Missions (eBook ed. ). Lincoln, Nebraska: University of Nebraska Press. ISBN   978-1-4962-1422-5. Chaikin, Andrew (1998) [1994]. A Man on the Moon: The Voyages of the Apollo Astronauts. New York: Penguin Books. ISBN   978-0-14-024146-4. Compton, William David (1989). Where No Man has Gone Before: A History of Apollo Lunar Exploration Missions. OCLC   1045558568. SP-4214. Cooper, Henry S. F. (2013) [1972]. Thirteen: The Apollo Mission that Failed. New York: Open Road Integrated Media, Inc. ISBN   978-1-4804-6221-2. Cortright, Edgar M. (June 15, 1970). Report of Apollo 13 Review Board (PDF). NASA. Report of Apollo 13 Review Board, appendix F–H (PDF). Driscoll, Everly (April 4, 1970). "Apollo 13 to the highlands". Science News. 97 (14): 353–355. doi: 10. 2307/3954891. JSTOR   3954891. (subscription required) Flight Control Division (April 1970). Mission Operations Report (PDF). Houston, Texas: NASA Manned Spacecraft Center. Gatland, Kenneth (1976). Manned Spacecraft (Second ed. New York: MacMillan. ISBN   978-0-02-542820-1. Glenday, Craig, ed. (2010). Guinness World Records 2010. New York: Bantam Books. ISBN   978-0-553-59337-2. Harland, David (1999). Exploring the Moon: The Apollo Expeditions. London; New York: Springer. ISBN   978-1-85233-099-6. Houston, Rick; Heflin, J. Milt; Aaron, John (2015). Go, Flight! : the Unsung Heroes of Mission Control, 1965–1992 (eBook ed. ISBN   978-0-8032-8494-4. Houston, We've Got a Problem (PDF). : NASA Office of Public Affairs. EP-76. Kranz, Gene (2000). Failure Is Not an Option: Mission Control from Mercury to Apollo 13 and Beyond. New York: Simon & Schuster. ISBN   978-0-7432-0079-0. Larsen, Curtis E. (May 22, 2008). NASA Experience with Pogo in Human Spaceflight Vehicles (PDF). NATO RTO Symposium ATV-152 on Limit-Cycle Oscillations and Other Amplitude-Limited, Self-Excited Vibrations. NASA Johnson Space Center. Norway. RTO-MP-AVT-152. Lattimer, Dick (1988) [1983]. All We Did Was Fly to the Moon. History-alive series. 1. Foreword by James A. Michener (2nd ed. Gainesville, Florida: Whispering Eagle Press. ISBN   978-0-9611228-0-5. LCCN   85222271. Launius, Roger D. (2019). Reaching for the Moon: A Short History of the Space Race (eBook ed. New Haven, Connecticut: Yale University Press. ISBN   978-0-300-24516-5. Lovell, James A. (1975). "Chapter 13: "Houston, We've Had a Problem " " (PDF). In Cortright, Edgar M. (ed. Apollo Expeditions to the Moon (PDF). SP-350. Lovell, Jim; Kluger, Jeffrey (2000) [1994]. Lost Moon: The Perilous Voyage of Apollo 13. Boston: Houghton Mifflin. ISBN   978-0-618-05665-1. Mission Evaluation Team (September 1970). Apollo 13 Mission Report (PDF). Houston, Texas: NASA Manned Spacecraft Center. MSC-02680. Morgan, Clay (2001). Shuttle–Mir (PDF). SP-4225. Orloff, Richard W. ; Harland, David M. (2006). Apollo: The Definitive Sourcebook. Chichester, UK: Praxis Publishing Company. ISBN   978-0-387-30043-6. Orloff, Richard W. (2000). Apollo by the Numbers: A Statistical Reference (PDF). : NASA History Division, Office of Policy and Plans. ISBN   978-0-16-050631-4. LCCN   00061677. OCLC   829406439. NASA SP-2000-4029. Phinney, William C. (2015). Science Training History of the Apollo Astronauts (PDF). SP-2015-626. Slayton, Donald K. "Deke"; Cassutt, Michael (1994). Deke! U. Manned Space: From Mercury to the Shuttle (1st ed. New York: Forge. ISBN   978-0-312-85503-1. Turnill, Reginald (2003). The Moonlandings: An Eyewitness Account. New York: Cambridge University Press. ISBN   978-0-521-03535-4. External links Wikimedia Commons has media related to Apollo 13. Wikiquote has quotations related to: Apollo 13 NASA reports "Apollo 13: Lunar exploration experiments and photography summary" (Original mission as planned) (PDF) NASA, February 1970 "Apollo 13 Technical Air-to-Ground Voice Transcription" (PDF) NASA, April 1970 Multimedia "Space Educators' Handbook Apollo 13" at NASA "Apollo 13: LIFE With the Lovell Family During 'NASA's Finest Hour'" – slideshow by Life magazine "Apollo 13: NASA's Finest Hour" – slideshow by Life magazine at the Internet Archive.

It was a great movie about an amazing mission that show the best of what the Apollo missions were about! On a much smaller note since the movie and in just about every media coverage about the mission, I've always seen the young woman in the news clip at 37:24. I've often wondered, who she is and where is she today! She in her 70's at least now.

Go baby Go.

I'm 8 minutes in, and really like it so far.


Apollo 13
7.7 out of 10 stars - 646 votes





  1. Published by K L

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The Invisible manufacturing. The invisible man. The invisible man tv series. The Invisible man city. The invisible man h g wells. The Invisible man of steel. The invisible man release date. The invisible man movie 2019. So it turns out that Jon Ossoff and Karen Handel agree on something. Two things, actually. First, Tuesday nights televised debate proved that they share identical definitions of the phrase “with all due respect. ” Each made clear, as they ever-so-politely batted that particular string of words back and forth, that it really means something south of “you conniving layer of pond scum. ” Their eyes told us that they do not like each other. Handel sees a wet-behind-the-ears, Democratic boy toy for Nancy Pelosi, the queen of California. Ossoff looks on her as a has-been who struggles under an outdated load of GOP primary slogans. But something far more important was revealed by the hour-long confrontation on WSB-TV: Both Karen Handel and Jon Ossoff would have us believe that President Donald Trump does not exist. Not in the Sixth District. Neither one would mention Trump voluntarily. They had to be driven to it. When asked where she disagreed with the president, Handel replied, “I am troubled about the deep cuts in scientific research and cancer research” — perhaps anticipating the harsher discussion to come. But she didnt mention Trump by name. Ossoff was asked if he considered the Sixth District race part of the “summer of resistance” to Trump declared by Democrats. “I hope to have the opportunity to work with the president, to get things done for Georgia, ” he replied. Ossoff wouldnt mention Trump by name, either. Now, let us be clear. There is a 70-year-old man with a battleship of a comb-over named Donald Trump, and he lives in the White House. He really, truly exists. Further, Trump is the reason were having this Sixth District contest — and not just because he picked Tom Price as his health care czar. Ossoff shouldnt be neck-and-neck with Handel in a reliably Republican congressional district. But this week, the Gallup polling organization reported that, nationwide, Democrats now have a generic, seven percentage point edge over Republicans – a margin that harkens back to the last days of the George W. Bush administration. Do all of those seven points extend to Georgia? Certainly not. But Democrats here are benefiting enough to make Republicans sweat. Yet despite the fact that Trump is driving this Georgia train, Handel and Ossoff would prefer you to believe that the clothes have no emperor. They both have reasons for not talking about him. To win on June 20, Ossoff needs to woo moderate Republicans and independents to his side. If he bashes Trump personally, Ossoff risks offending those who might have voted for the businessman in November, but have since changed their minds. And so others — i. e. Super PACs – are doing the bashing for him. For her part, Handel needs to reclaim GOP-inclined women who were so chafed by the idea of Donald Trump that they fled into the Hillary Clinton camp last year. Which is why that Atlanta fundraiser that Trump threw for her was closed to the press — photographers, in particular. In fact, one might say that the first Sixth District candidate to invoke Trump loses. If Trump were a nuclear weapon, we would call this a policy of Mutually Assured Destruction. And even though hes not, the acronym may still apply. Yet there is a bright side to this situation. Since the two candidates dared not talk about Trump on Tuesday night, they were forced to talk about themselves. Or not. Both candidates were asked if they would support the extension of MARTA-like rail into the Sixth. Both ducked — unfortunately for gridlocked voters in the district. Each declined to say if they would vote to go to war with Iran, even if the facts were appropriate. And there was comfort in that. Handel said she wouldnt bend when it came to raising taxes. Ossoff said he wouldnt compromise when it came to voting rights. Ossoff said he supported an increase in the minimum wage, and Handel said she did not. Although the way she said it – “I do not support a liveable wage” — needed polishing. With a thinner resume, Ossoff made a smaller target. But Handel couldnt say “Pelosi” often enough, or “California, New York and Massachusetts” — as Ossoffs alleged main sources of financing for his campaign. “Junior staffer” for U. S. Rep. Hank Johnson was a favored description. Handel also came away with two “how dare you” moments — though they may cost her. When the former secretary of state expressed her support for the House Republican bill to repeal the Affordable Care Act, Ossoff said she had just endorsed an end to insurance protections for those with pre-existing conditions. Handel turned that into an attack on her sister, whom she said had been born without an esophagus. “For you to suggest that I would do anything that would negatively affect her is absolutely outrageous and unacceptable, ” Handel said. But the facts are with Ossoff on that one. Which is why Senate Republicans have all but abandoned the measure. The pair also got into an extended discussion of Handels 2012 role as senior vice president of public policy for the Susan G. Komen Foundation, when the organization attempted to cut off funds to Planned Parenthood for breast cancer-screening. Komen retreated, and Handel made a high-profile exit. “I have held the hands of friends who have fought breast cancer and other types of reproductive cancer. And I will not – not — be lectured by you or anyone else, ” Handel said. On Tuesday, Handel described herself as a cog in the Komen wheel. “For anyone to think that, as one individual employee, I was able to wave a magic wand and make something like that happen — it was a business decision, ultimately decided by the board of Komen, ” she said. But Ossoff was able to argue that, during her unsuccessful primary run for U. Senate, Handel had put herself at the “center” of that drama. All in all, it was a good debate. And if ignoring Trump gives us a better picture of who Jon Ossoff and Karen Handel are, then perhaps thats a fair trade-off. Presumably, the situation will extend to todays Sixth District debate. The original broadcast will be at 9 a. m. on WABE (90. 1 FM. A televised version is scheduled for 7 p. on PBA 30. If you like, make it a drinking game. One shot for every voluntary mention of the word T-R-U-M-P. At the end of the debate, chances are youll be stone cold sober. For more on the Sixth District race, go to. your most complete and credible source for news and views about what is really going on in Georgia politics. Support real journalism. Support local journalism. Subscribe to The Atlanta Journal-Constitution today. See offers. Your subscription to the Atlanta Journal-Constitution funds in-depth reporting and investigations that keep you informed. Thank you for supporting real journalism. About the Author Jim Galloway is a three-decade veteran of The Atlanta Journal-Constitution who writes the Political Insider blog and column.

James Bond: History isn't kind to men that play God. Boris Johnson: Would you like a cup of tea. An Invisible Man An Invisible Man. The invisible man cast. The invisible man book. This song was written by the band's drummer, Roger Taylor. Rumor has it that the beat came to him immediately while reading the book The Invisible Man by H. G. Wells. Taylor said that he wrote part of the song in the bathtub. "The Invisible Man" was the original planned title for the album that would be called The Miracle, but three weeks prior to the album's release, they changed the name. Hidden within the song are the names of each of the band members: Freddie Mercury at the beginning of the first verse (often confused with "Freddy Kreuger. John Deacon after the first verse, Brian May, said twice before his solo, and Roger Taylor after the words "Look at me, look at me. which Taylor answers with a quick drum beat. The idea of the song, to a large extent, seems to be the concept of being invisible, not physically, however: Incredible how you can see right through me. it's criminal how I can see right through you. The Invisible Man can see through people and their veiled emotions and appearances and see what they really are, underneath the facade that they put out. It appears that The Invisible Man became "invisible" after being turned down by a girl who didn't like him - he's reacted back, and now, the only thing that she can think about is him. She can't shake him from her mind, she can't get him back, she can't do anything to him. He's in her life, for good. He's her "Meanest thought" and her "Darkest fear. The last couple of lines, Look at me, look at me. are basically asking that he no longer be ignored. Again, he's not physically invisible - he can see other people's lives, who they are on the inside, but he is constantly ignored by people who feel they're better than him. As this song was written by Taylor, it would be unlikely that anyone could stretch it to say that this applies to Mercury, that people thought they were better than him because they weren't bisexual. As he did write this after reading a book, it is also possible that the invisible man is in fact invisible and now he's become a stalker, but, that wouldn't explain the "See right through you" lines. >> Suggestion credit: James - Vancouver, Canada, for all above.

Freddie is a much better Joker than Jared. and that wasn't even the idea. All the bright places really isn't about this cliche or romantic movie it's being made into. One of my favourite books, which actually tackles grief, depression and suicide, is made into a cliche romance Netflix movie. sighh. The invisible man ralph ellison. Inspired from Zee TV's Tashan-E-Ishq.

I AM the invisible man and I'm weary of this game I'm on the brink of insane only me to feel this rain No one but me to feel the pain Why do they not see me? Diaphonous, like the clouds I'm weblike in my mist I scream but have no sound I lay as dead upon their ground My head ascends and spins round I AM the invisible man I reach to step, I find I falter Too many times I've stood at the alter Yelling protest in my head No one hearing a word I've said It's silent inside a casket I reach into an empty basket Tears pour out they never feel But inside myself It's all to real Those I love, they reach and steal Whatevers left of me I dance in all the shadows Can't they see me? I weep with frustration At my stunning revelation I'm in solitude at the station The train pulled out I feel my lungs give out No one left to hear my shout I'm so alone, I'll always be Still, no one to ever see me I AM the invisible man. Poem by Christie Moses.

Every time I see this video, I keep repeating in my head: how lucky these kids are... I'm not even born yet when Queen making this video. The invisible man 2020. A modern retelling of H. G. Wells classic novel, The Invisible Man. Motivated by the death of his son, Griffin, a brilliant but eccentric scientist discovers a method to invisibility. No links available No downloads available Chain Reaction 1996 4. 2 Thirst 2015 3. 4 Megalodon 2018 5. 8 Just Visiting 2001 7. 1 Melancholia 2011 6. 4 The Rocketeer 1991 6. 1 The Machine 2013 7. 4 Wonder Woman 2009 Spy Kids 3-D: Game Over 2003 7. 7 Star Trek II: The Wrath of Khan 1982 Watch Movies Online 2018 All rights reserved FREE MOVIES WATCH MOVIES ONLINE FREE FREE MOVIES ONLINE WATCH FULL MOVIES ONLINE FREE ONLINE MOVIES FULL WATCH MOVIES 123Movies.

A little slow at the in all it was a good movie. The invisible man 1933. The invisible man ending. The invisible man reaction. That time will come, one day you'll see, when we can all be friends... 03:46 I'm the only one in love with the way Freddie says hahahaha it's magic. 😍😍. The Invisible management. What you can't see can hurt you — The Universal Pictures reboot deviates quite a bit from H. G. Wells' original novel. Elizabeth Moss plays a woman who thinks her abusive ex-lover has risen from the dead to haunt her in The Invisible Man. A young woman believes she is being tormented by the ghost of her abusive ex-boyfriend, only to discover something far worse in The Invisible Man, Universal Pictures' rebooted adaptation of the classic science fiction novel by H. Wells. Judging by the trailer, the new movie will deviate considerably from the source material in some interesting ways to bring Wells' tale into the 21st century. (Spoilers for the 1897 novel and 1933 film below. ) First serialized and then published as a book in 1897, the novel tells the story of a scientist named Griffin, whose research into optics leads him to invent a means of turning himself invisible by chemically altering his body's refractive index to match that of air. Wells cited Plato's Republic as one of his influences, notably a legend involving a magic ring that renders a man invisible, which Plato used to explore whether a person would behave morally if there were no repercussions for bad behavior. The novel opens with Griffin taking a room at a village inn, clad in long coat, hat, and gloves and his face swathed in bandages. He mostly keeps to himself, performing chemistry experiments in his room, but eventually his landlady discovers that he is invisible beneath the heavy clothing. Griffin flees—killing a tramp in the process—and takes refuge with his former medical school colleague, Dr. Kemp, to whom he recounts his tale of inventing the chemicals that rendered him invisible. He has been trying to reverse the invisibility, to no avail. He is also quite mad, telling Kemp of his plans to use his invisibility to launch a murderous "Reign of Terror" on England. Kemp informs the authorities, making him Griffin's first target. Ultimately, Griffin is cornered and beaten to death by an angry mob. His body gradually becomes visible again as he dies. The critically acclaimed 1933 film adaptation by director James Whale starred Claude Rains as the titular Invisible Man and was so successful it spawned several sequels and spinoffs. The film is a reasonably faithful adaptation of Wells' novel, except it is set in 1933 rather than the 1890s, and it fleshes out Griffin's character to include a fiancée named Flora (Gloria Stuart. It's also a more sympathetic treatment of Griffin as a tragic figure, showing him as being driven mad by a scientific experiment gone wrong rather than portraying an unhinged man drunk on power who readily resorts to murder. Adrian (Oliver Jackson-Cohen) is a controlling and abusive boyfriend. Cecilia (Elisabeth Moss) plots her escape. YouTube/Universal Adrian turns violent. Cecilia and her sister (Harriet Dyer) learn about Adrian's surprising will. A suspicious kitchen fire. A ghostly hand on the shower door Could someone be sitting in that chair? Cecilia certainly thinks so. Neighbors James (Aldis Hodge) and Sydney (Storm Reid) are concerned for Cecilia's mental wellbeing. There might be cause for their concern. Cecilia discovers Adrian's experimental apparatus. Adrian goes all stalker with his mind games. Nobody believes Cecilia's story of an invisible man. A mysterious patient swathed in bandages. An invisible Adrian has an advantage over the guards. "There you are. " Universal announced a remake of The Invisible Man in 2016, part of a planned series of films for the studio's Dark Universe project, which draws on the studio's classic monsters.  The shared cinematic universe would include The Mummy, Bride of Frankenstein, and The Invisible Man. But yet again, a major studio discovered that the "Marvel model" is actually pretty difficult to pull off. Universal's 2017 film The Mummy, starring Tom Cruise, was a critical and box office failure, and the studio abandoned the shared universe plan to focus on standalone stories. Jason Blum of Blumhouse Productions signed on to produce The Invisible Man. Written and directed by Leigh Whannell (best known for the Saw and Insidious franchises) this latest film version seems to combine the original premise with another classic film, Gaslight (1944) about an abusive husband who tries to drive his wife mad. Per the official synopsis: After her abusive ex-boyfriend commits suicide, naïve Cecilia ( Elisabeth Moss) begins to rebuild her life for the better. However, her sense of reality is put into question when she begins to suspect her former boyfriend is not actually dead as she had thought. " The trailer opens with Cecilia fleeing her toxic relationship in the dead of night, aided by her sister (Harriet Dyer) only to have the sociopathic Adrian (Oliver Jackson-Cohen) smash the car window as they drive away. Cut to the sisters sitting in the office of a lawyer who informs them that Adrian has committed suicide. The twist: he's left Cecilia 5 million in his will, provided she is found to be mentally sound. Cecilia starts rebuilding her life, but mysterious, ominous phenomena keep happening. At first, she thinks Adrian's ghost is haunting her, but her sister and neighbors dismiss that possibility, expressing concern about her mental health. A visit to Adrian's old house convinces Cecilia that her ex is still alive and has figured out how to turn himself invisible, the better to play his mind games to torment her. "He said that wherever I went, he would find me, walk right up to me, and I wouldn't be able to see him. Cecilia says in a voiceover. Naturally, nobody believes her, until an invisible Adrian turns violent. One assumes that Cecilia will have to face down her abuser to finally bring the nightmare to an end. And given the Invisible Man's fate in past incarnations, we don't like Adrian's chances for survival. The Invisible Man hits theaters on February 28, 2020. Listing image by YouTube/Universal.

The invisible man 1933 trailer

The invisible man by ralph ellison.


Child actors: Ross McCall. Freddie Mercury (1976) Adam Gladdish. Roger Taylor -James Currie. John Deacon (1972) Paul Howard. Brian May (1971. The invisible hand. The invisible man 2019. Great! Got to enjoy the whole movie in under three minutes thus saving me money for the ticket and two hours of my life. The invisible man novel. The invisible man hg wells. The invisible man cast 1933.


The invisible man summary. Trailer itself too long. The invisible man scatman. The invisible man 2020 trailer. The invisible man free pdf. Aldis Hodge, star of Sundance Grand Jury Prize winner Clemency, breaks down his performance and tries to justify an inter-franchise mystery on his IMDb page. Watch now Production Notes from IMDbPro Status: Completed, See complete list of in-production titles  » Updated: 11 September 2019 More Info: See more production information about this title on IMDbPro. Learn more More Like This Drama Thriller 1 2 3 4 5 6 7 8 9 10 7. 8 / 10 X After a famous author is rescued from a car crash by a fan of his novels, he comes to realize that the care he is receiving is only the beginning of a nightmare of captivity and abuse. Director: Rob Reiner Stars: James Caan, Kathy Bates, Richard Farnsworth Adventure Comedy Horror A horror adaptation of the popular '70s TV show about a magical island resort. Jeff Wadlow Maggie Q, Lucy Hale, Portia Doubleday Sci-Fi 6. 3 / 10 A secluded farm is struck by a strange meteorite which has apocalyptic consequences for the family living there and possibly the world. Richard Stanley Nicolas Cage, Joely Richardson, Madeleine Arthur Fantasy 6. 6 / 10 Lost on a mysterious island where aging and time have come unglued, Wendy must fight to save her family, her freedom, and the joyous spirit of youth from the deadly peril of growing up. Benh Zeitlin Yashua Mack, Devin France, Gage Naquin Story of one of the first African-American bankers in the United States. George Nolfi Samuel L. Jackson, Nicholas Hoult, Anthony Mackie Mystery 3. 7 / 10 A young governess is hired by a man who has become responsible for his young nephew and niece after their parents' deaths. A modern take on Henry James' novella "The Turn of the Screw. " Floria Sigismondi Mackenzie Davis, Finn Wolfhard, Brooklynn Prince 7. 7 / 10 A Philadelphia couple is in mourning after an unspeakable tragedy creates a rift in their marriage and opens the door for a mysterious force to enter their home. Lauren Ambrose, Toby Kebbell, Nell Tiger Free A scientist finds a way of becoming invisible, but in doing so, he becomes murderously insane. James Whale Claude Rains, Gloria Stuart, William Harrigan Action Ray Garrison, a slain soldier, is re-animated with superpowers. Dave Wilson Sam Heughan, Eiza González, Vin Diesel Sport A former HS basketball phenom, struggling with alcoholism, is offered a coaching job at his alma mater. As the team starts to win, he may have a reason to confront his old demons. But will it be enough to set him on the road to redemption? Gavin O'Connor Ben Affleck, Janina Gavankar, Michaela Watkins 5. 7 / 10 A long time ago in a distant fairy tale countryside, a young girl leads her little brother into a dark wood in desperate search of food and work, only to stumble upon a nexus of terrifying evil. Oz Perkins Sophia Lillis, Alice Krige, Jessica De Gouw 6. 7 / 10 A soon-to-be stepmom is snowed in with her fiancé's two children at a remote holiday village. Just as relations begin to thaw between the trio, some strange and frightening events take place. Directors: Severin Fiala, Veronika Franz Richard Armitage, Riley Keough, Alicia Silverstone Edit Storyline The film follows Cecilia, who receives the news of her abusive ex-boyfriend's suicide. She begins to re-build her life for the better. However, her sense of reality is put into question when she begins to suspect her deceased lover is not actually dead. Written by Max Plot Summary Add Synopsis Details Release Date: 28 February 2020 (USA) See more  » Also Known As: Untitled Universal Monster Project Box Office Budget: 9, 000, 000 (estimated) See more on IMDbPro  » Company Credits Technical Specs See full technical specs  » Did You Know? Trivia Elisabeth Moss once voiced a young girl in an episode of Batman: The Animated Series. The plot featured a man who had found a way to become invisible and at one point attempted to abduct his daughter, played by a young Moss. See more » Frequently Asked Questions See more ».

The invisible man. The Invisible man show. The invisible man returns. The invisible man audiobook. The invisible man 2000. The invisible mans band. Awwwwe, thank you so much. 💙💙 The tension had eased the past hour since you had kicked Shane out of the room; originally, you did it to shout a little longer at the walls, but after your screaming match with the invisible man had ceased, the guilt had crawled up your throat and left you choking on hot tears. Yes, he had heard everything - of course he did, the whole village practically did, but lets not pretend he didnt say a few painful things himself. The mentions of your family, wealth and livelihood had always been sore subjects for you, he knew that and yet he still used it against you when you two were seconds away from combusting. You tried to not cry, it was hard, especially knowing Shane was just on the other side of the door, sulking himself. Honestly, you could give less of a shit on who actually won the fight, you could barely even remember what was so bad in the first place. Hell, an hour had already passed and you felt suffocated without Shane by your side, the aching feeling of something wrong pulling and pushing against your heart, against your veins as the thumping rocked loud in your ears. So there you were, back against the oak door of your shared bedroom, sobbing lightly while listening to Shanes occasional sighs from behind said door. You wanted to apologize, but how could you? How would you? Quietly, you picked yourself up off the ground, wiping your wet cheeks and adjusting your clothing. As the door opened slowly, Shanes back was turned to you, shouldve resting against the door frame. “Hey…” you croaked, cringing at how defeated you sounded. Shane turned around, looking at you with matched regret, hand wrapping itself around the back of his own neck and rubbing while averting his gaze. “Hey-“ You two had always been a little rough at communicating what either needed from the start, opting to let destiny take its course and take the day in its own hands. It was no surprise you two stood, staring at each other dumbly. The clock echoed the dampened tension. Tick. “So, ” “I, ” You both stopped, looking at each other and waiting for the other to take lead of the conversation again. Another few seconds passed. “Look, ” “Im sorry, ” You tried again, once again interrupting one another. You tried desperately to suppress the giggle that hung thick in your lungs, but you couldnt help but see the light in such a dark situation. Shane smiled slightly, shoulders relaxing as he let a chuckle out as well. “Im sorry too, ” You watched him for a minute, just observing, admiring. Shane seemed to shy away from your intense stare, but after you found he was absolutely genuine, a reassuring smile made its way onto your face, stress fading little by little. “I didnt mean it, everything I said. Im sorry for getting angry at you, and kicking you out of the room, ” Shane grasped your hand in his, smiling back just enough to let your breathing soothe. “I know you didnt, dont worry. And Im sorry too, I am. I should be more open, especially with how Im feeling instead of immediately jump to conclusions, ” Shane stepped closer, placing his head on your shoulder and sighing into you. You did the same, only nuzzling the side of his to stimulate yourself enough to stopped feeling so overwhelmed. “I love you, okay? Never forget that, ” “I love you too, I never will. ”.

I'm so glad I watched this movie. The invisible man trailer reaction. Why does aparshakti always get the side role like some kind of advisor, he should be casted in some good role. Oh God its really happening. In a welcome piece of news for fans of the classic monsters, Universal Pictures is pumping the brakes on their interconnected Dark Universe and teaming up with Blumhouse to swing their classic monster revamps in a new direction with The Invisible Man. Insidious mainstay and Upgrade writer/director Leigh Whannell, will write and direct an update on the classic for Universal and Blumhouse, which wont be focused on building a monster universe Its a major shift for Universal, who assembled an A-list lineup of talent (including Tom Cruise, Johnny Depp, Javier Bardem, and Russell Crowe) for the Dark Universe before the franchise ever fully got off the ground. So how did the deal with Blumhouse come together? With Happy Death Day 2U arriving in theaters this week, I recently hopped on the phone for a chat with Blumhouse chief Jasom Blum and the producer clarified that hes not overseeing a new monster universe for Universal for the time being, nor was that the path he wanted to take To the contrary, the studio is taking it one film at a time and, first and foremost, the project came about because Whannell came up with a great pitch. Image via Blumhouse Blum explained, “I dont believe in saying “Were going to do movies about this” and then trying to find a movie about it. So I didnt believe in going and saying ‘I want to do all these movies, and then try to find directors to do them. We have a director who… weve also done six or seven movies with, pitched us this spectacular idea about Invisible Man. We told him to write it, he wrote it, then we took it to the studio and said ‘Wed love to do this and this is what we would do with it, and they said yes. ” While Blum is naturally keeping the details of Whannells project mum for now, he did talk a bit about what he saw in the pitch and what made him want to take it to Universal. “It was like the Blumhouse version of The Invisible Man, its a lower-budget movie. Its not dependent on special effects, CGI, stunts. Its super character-driven, its really compelling, its trilling, its edgy, it feels new. Those were all things that felt like they fit with what our company does. And it happened to be an Invisible Man story, so it checked both boxes. And we responded to it because I think Leigh is just an A+ director. ” Image via Universal Blum also said that despite the IP appeal of The Invisible Man or any similar classic monster projects that might come down the road, theyre still sticking to Blumhouses signature low budget model. When I asked Blum about what kind of budget theyre aiming for, he explained: “Were definitely in our zone, I dont know if its going to be strictly five [million. Its not going to be more than ten, I dont think. ” Most importantly, Blum and his team are focusing on getting The Invisible Man right before putting the wheels in motion on any other monster movies.  However, according to his recent interview with CinePop The Invisible Man is expected to come together quickly, and after that, theyre hopeful to make more. And its possible that one of those movies could come from the old pile of Dark Universe scripts. In fact, Blum doesnt just have the option to look at pre-existing scripts, he says they already have. “We have actually, we havent figured it out yet, but weve looked at a couple older scripts and we would be open to doing that”.

The invisible man intro. The White Boyz II Men and White All 4 1. The Invisible many. The invisible man lyrics. The Invisible manual. The invisible man queen. The invisible man showtimes. The narrator recalls the beauty of his college campus. He says he thinks of it often in his hole. He gives a florid description of flowers, dorms, the moonlights, and other aspects of the scene. He remembers the central statue of the colleges Founder. In his pose, the Founder seems to be lifting a veil, but the narrator is “unable to decide whether the veil is being lifted, or lowered more firmly in place. ” For the narrator, the college seems nearly magical, a place where he can advance himself and earn a place at the top of black society. The Founder, resembling the real-world Booker T. Washington, is the hero of the schools model, but it is unclear if the school itself fights against or preserves white interests. Related Quotes with Explanations The narrator remembers that in the beauty of the college in the spring, when millionaire benefactors from the North would come to visit and inspect the campus. They would come and look and leave checks when they left, a product of the “alchemy of moonlight. ” The narrator hints that part of the schools “magic” is that white donors support it. It is the money of these millionaires that allow the school to look picturesque, but it is also unclear why they are interested in supporting the school. The narrator remembers chauffeuring for one of these millionaires in his junior year, a man named Mr. Norton. He is an old and aristocratic man from Boston, one of the colleges original founders. The narrator is eager to please Mr. Norton, and apologizes for every small mistake. With time to kill before his next meeting, Mr. Norton tells the narrator to drive anywhere he pleases. When the narrator is introduced to Mr. Norton, Mr. Norton seems almost larger than life. Mr. Norton is a man who is responsible for creating the college, the place where the narrator believes his dreams will be fulfilled. In his gratitude, he is willing to do anything for Mr. Norton. Mr. Norton recounts the early days of the college, telling the narrator that he only helped assist the Founders vision. He tells the narrator that the college and its students are part of his “pleasant fate. ” The narrator turns the car down an unfamiliar road, an area that Mr. Norton says he doesnt recognize. Mr. Nortons stories of the Founder make Mr. Norton seem almost mythical to the narrator. In his naïveté, the narrator is also leading Mr. Norton off of the familiar paths to which he is accustomed. The narrator asks Mr. Norton why he became interested in the school. Norton tells him that he feels connected to the destiny of the black race. Norton tells the narrator that he is part of Mr. Nortons fate, and that whatever he choses to do will become part of Mr. Nortons legacy. It is revealed that Mr. Norton donates to the college because of an abstract sense of destiny. Norton is interested in students like the narrator because their success will increase his own legacy and power. His generosity is really selfishness. Mr. Norton then explains a second reason, telling the narrator that he once had a daughter. He exalts his daughters beauty, saying that “to look upon her was to drink and drink and drink again. ” He shows the narrator a miniature portrait of his daughter, and the narrator agrees that she is beautiful. Norton recounts that she became ill and died in Italy, and that his philanthropic work is all done in her memory. Mr. Nortons attachment to his daughter is very strong, and the language he uses to describe her beauty is sexualized. It is subtly implied that there is something out of the ordinary in Mr. Nortons love for his daughter, an unconscious attachment that causes his philanthropy. Mr. Norton tells the narrator “you are my fate. ” He asks the narrator to promise to tell him what he becomes. The narrator finds the conversation to be a little crazy, but agrees to someday tell Mr. Norton his fate. Norton continues to talk about the destiny of “the race, ” saying that the Founder had the power of a king or a god because he influenced so many lives. Mr. Nortons obsessive repetition of “fate” underscores how misguided and fanciful his idea of the college is. He knows nothing about the narrator. To accept Mr. Nortons idea of fate would make the narrator “invisible, ” lost in another mans idea of the world and of him, the narrator. The narrator drives the car into an unfamiliar territory near campus. Norton admits not recognizing the area, which is mostly populated by poor shacks. At Mr. Nortons command, the narrator stops in front of a dingy log cabin. The narrator is suddenly sorry that he drove to this area, as he recognizes that the cabin belongs to Jim Trueblood, “a sharecropper who had brought disgrace upon the black community. ” Once a well-liked singer of spirituals, Trueblood is now reviled up at the college. It becomes clear that Mr. Nortons knowledge of the college is slim, as the area becomes completely unrecognizable to him just a few miles from campus. Outside the bubble of the college, the harsh conditions of the post-slavery south are apparent. Trueblood is similarly a sign of social ills that the wishful thinkers of the college would wish to obscure in order to keep the millionaire's money flowing. The narrator tells Mr. Norton that the cabin is from “slavery times, ” which confuses and disturbs Mr. Outside the cabin, there are two pregnant women washing their clothes. The narrator tries to steer Mr. Norton away from the women, but Mr. Norton insists on trying to talk to them. The narrator tells Mr. Norton that Trueblood is hated at the college but wont explain why. Noticing that there are two pregnant women but only one husband, Mr. Norton asks for an explanation. Reluctantly, the narrator explains that Trueblood has impregnated both his wife and his daughter. The idea that black homes from before the Civil War could still exist shocks the ignorant Mr. Norton, who wishes to believe that his actions have fundamentally changed the conditions of the black community. Norton away from Truebloods cabin, but it is clear that there is a whiff of scandal that attracts Mr. Norton is stunned by this information, and asks repeatedly if the story is true. The narrator affirms it, and Mr. Norton is horrified to an unusual degree. Simultaneously, Trueblood himself appears from his cabin. Norton insists that he must speak with Trueblood. Ashamed but too afraid to disobey, the narrator follows Mr. Norton as he approaches Trueblood, who has a grisly wound on his face. Mr. Nortons reaction to the crime of a man he does not know is disproportionately strong, and Truebloods crime seems closely linked to Mr. Nortons sexualized description of his own daughter. Norton is offended, but secretly he is also titillated. Mr. Norton asks Trueblood if the story of his deed is true and remarks, “You did and are unharmed! ” The narrator notices a trace of envy in his voice. Trueblood replies that he feels all right. Excited, Mr. Norton takes Trueblood into the shade and asks him how he is faring. Trueblood begins to tell his story. By asking to speak with Trueblood, Mr. Norton uses the pretext of philanthropy to mask a voyeuristic desire to hear about Truebloods incest. Trueblood remarks that before the impregnation no one would help him, but now curious people are more than ready to offer him aid. The college tried to pay to send Trueblood away from the campus, but Trueblood refused. When the whites of the area found out what Trueblood did, they listened intently to his story and offered him help as well. He now has more work than ever before. Truebloods crime is an important signal of race relations: to the black community, he is a symbol of the backwards past. However, to whites, he is a symbol of black inferiority, and the local authorities are more than happy to listen to and publicize his story. Trueblood begins by telling them that when they were at their poorest, he, his wife Kate, and their daughter Matty Lou all slept in the same bed together to fight off the cold. While worrying at night, Trueblood hears his daughter saying “Daddy. ” Trueblood begins to weave a poetic tale, evoking his past memories. He wonders if Matty Lou is thinking about a boy he wants to discourage, and Matty Lou begins rubbing against him. He then tells Mr. Norton he fell into a dream. Trueblood is a singer and storyteller, and as he begins to speak his character grows more complicated. The complex nature of his storytelling underlines that he is more than simply an ignorant criminal. His power of speech represents traditions and talents that are native to black culture and cannot be easily wiped away. In his dream, Trueblood goes to see a man named Mr. Broadnax to buy some meat. Against protocol, he goes into the house, only to find no one inside. He walks into a white bedroom. The smell of women is rising, and Trueblood sees a white woman step out of a grandfather clock. Trueblood tries to escape through the clock but the woman is holding him back. He breaks her hold and runs into the clock. Truebloods dream focuses on the appearance of a white woman. Similar to the white woman before the battle royal, the woman in Truebloods dream represents something taboo for a black man. The dream places Truebloods crime in dialogue with the history of white oppression. In the dream, Trueblood runs down a tunnel until he begins to float. He sees a graveyard ahead, then a burst of electric light. Trueblood wakes up to find that he is having sex with Matty Lou, who is hitting him and shaking. Realizing that he is already inside her, Trueblood rationalizes that he enjoys the feeling and needs to see the event through. The narrator tries to interrupt the story, but Mr. Norton silences him. Trueblood rationalizes his crime as something inescapable: he has already begun, so he might as well see his act through. Truebloods terrible crime is reflective of both his hopelessness and the power of a taboo desire that lies deep beneath the social norms of the community. In the story, Truebloods wife Kate discovers the moment of incest and screams. Kate starts throwing objects at Trueblood and then grabs his shotgun. Trueblood pleads with her not to “spill blood, ” and Kate attacks him instead with a hot iron. Trueblood resolves to take his punishment, but when Kate returns with an ax, Trueblood dodges the blow that nearly cuts off his head. He gets a nasty gash. Kate drops the axe and begins to vomit. Kates reaction to the incest reinforces the grotesque nature of Truebloods action. Trueblood has broken one of the central conventions of society: the traditional roles in the family of parent and child. Trueblood first says that he will take Kates punishment of the ax, but ultimately his will to survive is too strong. Trueblood, filled with dread, waits to be struck down by god but is not. Kate takes Matty Lou and the other children away from the house. Trueblood confesses to a preacher, but the preacher is so aghast he sends Trueblood away. Trueblood can only sing the blues. He returns to his house, where Kate and Matty Lou assume he has run off. He discovers that both Kate and Matty Lou are pregnant, but he resolves not to leave them. He concludes, saying that even though his family wont speak to him, hes better off than before. Truebloods story finds no resolution in religion. God doesnt strike him down and the preacher is unable to accept his repentance. Trueblood retreats to singing the blues, a traditional black expression of woes that are too terrible to express any other way. In part, Truebloods story emphasizes the way in which misery is the most typical black story in America, and that whites are happy to help prop up his failure. After hearing Truebloods story, Mr. Norton has become completely pale. The narrator asks if Mr. Norton is all right and convinces the shaken trustee to return to the car. Norton gives a hundred-dollar bill to Trueblood, telling him to buy his children some toys. The narrator is angry with Trueblood for being the one that Mr. Norton rewards, despite his sickening deed. Weakened, Mr. Norton says that he needs to have a “stimulant, ” or a drink, to calm himself. Still wishing to please, the narrator heads for the Golden Day, the only bar nearby. Mr. Norton earlier said that the fate of black people was part of his destiny. If Trueblood can be considered part of Mr. Nortons destiny, the hundred-dollar bill is designed to assuage Mr. Nortons guilt. Norton is again divided, both aroused and horrified by Truebloods story. The simplicity of Mr. Nortons narrative about black progress has been shattered. Wallace, David. "Invisible Man Chapter 2. LitCharts. LitCharts LLC, 16 Sep 2013. Web. 16 Feb 2020. Wallace, David. Invisible Man Chapter 2. LitCharts LLC, September 16, 2013. Retrieved February 16, 2020...

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The Invisible Man
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The Invisible Man

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  1. Directors: Cathy Yan
  2. writed by: Christina Hodson
  3. synopsis: After splitting with the Joker, Harley Quinn joins superheroes Black Canary, Huntress and Renee Montoya to save a young girl from an evil crime lord
  4. year: 2020

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Birds of Prey (And the Fantabulous Emancipation of One Harley Quinn) premiered in official site on 2020–02–06, fand was theatrically released in the United States on July 2, 2020, in 3D and IMaidenX. The film was positively reviewed for its humor, visual effects, and perforMaidennces (particularly Holland and Gyllenhaal. Now Watch Birds of Prey: And the Fantabulous Emancipation of One Harley Quinn (2020) Online Full Or Free, discMaidensions had begun for a sequel to Birds of Prey: And the Fantabulous Emancipation of One Harley Quinn, with a release date given to the film before the end of the year. Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn) 123movies Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn) Gomovies Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn) Putlockers Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn) Exclusive Interview Margot Robbie, Mary Elizabeth Winstead, Jurnee Smollett-Bell, and Ella Jay Basco grill each other on what its like to be the first all-female antihero team-up, what it was like to suit up their characters wild gear, and how the action sequences set this OK LETS TRY THIS AGAIN. The Nerds sit down to react to the misadventures of one Harley Quinn as she introduces us to a killers, thieves, drug lords and co BIRDS OF PREY Official Trailer (2020) Margot Robbie, Harley Quinn DC Movie HD — Duration: 2:15. Rapid Trailer 2, 398, 156 views ♯WATCH. 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Starring: Ali Wong, Bojana Novakovic, Charlene Amoia, Chris Messina, Dana Lee, David Bianchi, Derek Wilson, Dominic Pace, Ella Jay Basco, Ewan McGregor, Greice Santo, Jenelle McKee, Judy Kain, Jurnee Smollett, Luis Richard Gomez, Margot Robbie, Mary Elizabeth Winstead, Matthew Willig, Michael Masini, Rosie Perez, Steven Williams Summary: Since the events of Suicide Squad, Batman has disappeared, leaving Gotham City unprotected from crime, and Harley Quinn has left the Joker. When Cassandra Cain, a young girl, comes across a diamond belonging to crime lord Black Mask, Harley joins forces with Black Canary, Huntress and Renee Montoya to help protect her. Genre(s) Action, Adventure, Crime Rating: R Runtime: 109 min.

1:25 Señor B querrás decir. The Joker and I broke up Me: I dont want to see the movie. The Hunter Martin, a mercenary, is sent from Europe by a mysterious biotech company to the Tasmanian wilderness on a hunt for the last Tasmanian tiger. 4K Klaus When Jesper distinguishes himself as the Postal Academys worst student, he is sent to Smeerensburg, a small village located on an icy island above the Arctic Circle, where grumpy inhabitants… The Expendables 3 Barney, Christmas and the rest of the team comes face-to-face with Conrad Stonebanks, who years ago co-founded The Expendables with Barney. Stonebanks subsequently became a ruthless arms trader and someone… Zog Zog is a keen young dragon who wants to learn to fly, roar, and breathe fire, so he studies at the Dragon School. He is desperate to impress his teacher… Country:  UK Eternals The saga of the Eternals, a race of immortal beings who lived on Earth and shaped its history and civilizations. Country:  USA The Hunger Games Katniss Everdeen voluntarily takes her younger sisters place in the Hunger Games: a televised competition in which two teenagers from each of the twelve Districts of Panem are chosen at… Hero A defense officer, Nameless, was summoned by the King of Qin regarding his success of terminating three warriors. Miami Vice Based on the 1980s TV action/drama, this update focuses on vice detectives Crockett and Tubbs as their respective personal and professional lives become dangerously intertwined. Total Recall A factory worker, Douglas Quaid, begins to suspect that he is a spy after visiting Recall – a company that provides its clients with implanted fake memories of a life… The Host When an unseen enemy threatens mankind by taking over their bodies and erasing their memories, Melanie will risk everything to protect the people she cares most about, proving that love… In the Heart of the Sea A recounting of a New England whaling ships sinking by a giant whale in 1820, an experience that later inspired the great novel Moby-Dick. The Muppet Movie Kermit and his newfound friends trek across America to find success in Hollywood, but a frog legs merchant is after Kermit. Country:  UK,  USA.

1:06 O boy. Please dont let that plot leak be true. Harley Quinn (Margot Robbie) is pulled into the hunt for street hustler Cassandra (Ella Jay Basco) by gangster Roman Sionis (Ewan McGregor) along with singer Dinah (Jurnee Smollett-Bell) vigilante Huntress (Mary Elizabeth Winstead) and detective Renee Montoya (Rosie Perez. At the behest of star and producer Margot Robbie, the working title for (deep breath) Birds Of Prey (And The Fantabulous Emancipation Of One Harley Quinn) was ‘Fox Force Five. For the uninitiated, ‘Fox Force Five is Mia Wallaces ( Uma Thurman) never-aired TV pilot in Pulp Fiction concerning five female secret agents each with a distinct identity and skill — a knife thrower, a kung fu master, a demolition expert and a French girl whose “speciality was sex”. Its a particularly apt part-time alias for Robbies passion project, the first big-screen outing for DCs all-women superhero squad. Because Birds Of Prey not only shares the DNA of a girl gang who can kick your sorry ass — Cathy Yan s film also boasts some of the subversive and rockabilly spirit of QTs 94 classic. It doesnt all work, but its a gaudy, muddled, mostly entertaining glitter-grenade celebration of just how women can fuck shit up. Perhaps the first rug-pull is that it isnt strictly a Birds Of Prey flick at all. Its a moving-on-after-a-break-up movie, a Marriage Story with punch-ups. Quickly recapping the events of Suicide Squad in animated form, we quickly learn Robbies Harley Quinn and Joker have broken up — she publically updates her relationship status by driving a truck into Ace Chemicals, the plant where she pledged herself to the clown prince of crime — and the film frenetically establishes her trying to cope on her own; buying a hyena she calls Bruce (after Wayne) roller derbying, her partying antics captured in one long shot like a coked-up 1917. The film sets up the question of who is Harley without Mr J? The answer lies with a motley crew of diverse women. Its a fun, fidgety, breathless start, but dont expect it to settle any time soon. The film is narrated by Harley Quinn so unravels with all the logic youd expect from her cracked psyche. Taking a cue from her protagonist, screenwriter Christina Hodson ( Bumblebee) begins to fracture the narrative, drip-feeding plot points and introducing us to the major players; Renee Montoya ( Perez) a detective belittled in her job and hooked on the dialogue and tropes of 80s cop shows, is investigating a hit by crossbow-wielding assassin Huntress ( Winstead) Dinah Lance ( Smollett-Bell) a singer who goes by the monicker Black Canary and is capable of smashing martini glasses with her voice, powerfully warbles in the nightclub of Gotham crime lord Roman Sionis ( McGregor) and then there is Cassandra Cain (Basco) a streetwise pickpocket who becomes the fulcrum for the story. Its so much fun when the group finally come together, it feels like a misstep not getting them together sooner. Its not, as Harley might say, poifect. Its structurally chaotic. There are flashbacks within flashbacks and comedy title-cards (“4 Minutes Ago”) but the time-shifting dissipates momentum in the middle stretch — you never get the sense that Yan, whose only previous feature is absurdist satire Dead Pigs, has a firm grip 
on the narrative. McGregors antagonist — who runs the town and has a penchant for both African art and peeling the face off 
rivals — nibbles rather than chews scenery; he isnt big and flamboyant enough to pose a genuine threat. Yan and Hodson throw a ton of ideas at the screen, most of which stick: Harley interacting with her own voiceover, Marilyn Monroe fantasies, direct stares to camera, and a fun running gag about the grievances every character has with Ms Quinn — the most exquisite delivers a terrific Frida Kahlo gag. Conceived with John Wick s Chad Staheski and his stunt team 87Eleven, the action sequences are muscular and confident — a creative baseball bat frenzy to Ram Jams ‘Black Betty (bam-a-lam) a fight in a fun house that has the feel of 60s Batman — but Yan still manages to insert some personality in there: as Harley double teams with Black Canary, keep em peeled for a hair-tie handoff that any woman in a fight would relate to. Its a lovely touch that would never occur to the David Ayers of this world. Its a film forged in the age of #MeToo. TimesUp but wears any messaging lightly. This is just a group of women supporting 
each other, getting things done. Its so much fun when the group finally come together, it feels like a misstep not getting them together sooner and more often. Save Harley, the characters arent deeply drawn but they are winningly played: Smollett-Bell is authentically hard-as-nails, Winstead is funny as an assassin who takes umbrage that people get her superhero name wrong, and Perez reminds you she is not in nearly enough movies. But the MVP is Robbie, who lends Harley charming quirk and believable menace, hinting at Harleys inner life without reams of dialogue. When shes on screen Birds Of Prey has the impact of a baseball bat to the head. Its messy, with a middle section that sags, but Birds Of Prey has vibrancy, anarchy and balls to spare. Harley and Joker are dead. Long live Harley Quinn.

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Thank the lord her and the joker broke up. Another trailer that reveals the entire movie. You're making fun of it, but it was really serious for me. Únicas y detergentes: aY yo sOy tAn locA cOmO ellA lA amO. Birds of Prey: And the Fantabulous Emancipation of One Harley Quinn Free full. Ahoj mohl bych se zeptat od kolika je ten film ? Prosím odpověď.


Birds of Prey: And the Fantabulous Emancipation of One Harley Quinn Free full article on maxi. The audacity of this guy stealing the line. Birds of Prey: And the Fantabulous Emancipation of One Harley Quinn Free full article. THIS IS THE ONLY REVIEW THAT MATTERS. What took you so long. hahaha just kiddin best wishes from Argentina. From the trailer Im unlikely to see this. Will wait for reviews. Birds of Prey: And the Fantabulous Emancipation of One Harley Quinn free full version. 3 nominations. See more awards  » Edit Storyline A twisted tale told by Harley Quinn herself, when Gotham's most nefariously narcissistic villain, Roman Sionis, and his zealous right-hand, Zsasz, put a target on a young girl named Cass, the city is turned upside down looking for her. Harley, Huntress, Black Canary and Renee Montoya's paths collide, and the unlikely foursome have no choice but to team up to take Roman down. Plot Summary, Add Synopsis Taglines: Mayhem at its finest! See more  » Motion Picture Rating ( MPAA) Rated R for strong violence and language throughout, and some sexual and drug material See all certifications  » Details Release Date: 7 February 2020 (USA) Also Known As: Birds of Prey: And the Fantabulous Emancipation of One Harley Quinn Box Office Budget: 100, 000, 000 (estimated) See more on IMDbPro  » Company Credits Technical Specs See full technical specs  » Did You Know? Trivia In the Birds of Prey comics, neither Cassandra Cain or Renee Montoya have been members of the eponymous team. Harley Quinn hadn't been with the team during the film's production but was added to the team during the Rebirth era in Oct 2019. See more » Quotes Harley Quinn: from trailer] I am so fucking over clowns! See more » Crazy Credits The Warner Bros and DC Comics logo appear against a background of red and blue, Harley's hair colors. See more » Connections Referenced in 2020 Golden Globe Awards  (2020) Frequently Asked Questions See more ».

Latest News Synopsis 1 2 3 4 5 Next→ Page 1 / 13 More Info producer: Sue Kroll, Margot Robbie, Bryan Unkeless distributor: Warner Bros. production company: Clubhouse Pictures, DC Entertainment, Kroll & Co. Entertainment, LuckyChap Entertainment sfx supervisor: Brendan Seals, Kenneth Au, Thrain Shadbolt, Jedediah Smith, Kevin Souls, Greg Steele, Fernando Zorrilla assistant director: Donald Sparks, Alexander H. Gayner, Jayson Merrill franchise: DC Extended Universe budget: 75 million cinematographer: Matthew Libatique After splitting up with The Joker, Harley Quinn and three other female superheroes - Black Canary, Huntress and Renee Montoya - come together to save the life of a little girl (Cassandra Cain) from an evil crime lord. Artwork is from  Suicide Squad. This DC Comics film is based on the  Birds of Prey title, which was first published in November 1995. It was created by Jordan B. Gorfinkel and Chuck Dixon. The movie entered development back in 2016, with writer Christina Hodson signing on to pen the script. In 2018, Cathy Yan was hired as director. Margot Robbie is set to reprise her role as Harley Quinn from  Suicide Squad and is also producing.


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Birds of Prey: And the Fantabulous Emancipation of One Harley Quinn Free full review. Regal Crown Club Birds of Prey: And the Fantabulous Emancipation of One Harley Quinn AR Giveaway Official Rules NO PURCHASE OR PAYMENT OF ANY KIND IS NECESSARY TO ENTER OR WIN THIS GIVEAWAY General Information:  The Birds of Prey: And the Fantabulous Emancipation of One Harley Quinn AR Giveaway (the “ Giveaway ”) begins at 12:01 a. m. EST on January 13, 2020 and ends at 11:59 p. EST on February 29, 2020 (the “ Promotion Period ”. NO PURCHASE OR PAYMENT OF ANY KIND IS NECESSARY TO ENTER OR WIN THIS GIVEAWAY. Purchase does not improve odds of winning. The Giveaway is void wherever prohibited by law, or where the Giveaway does not comply with applicable registration or filing requirements of any state or local jurisdiction. By entering the Giveaway, you agree to these Official Rules, which include limitations of your rights and remedies. The Giveaway is in no way sponsored, endorsed or administered by, or associated with, Twitter, Inc. Your use of the Twitter website or application is governed by any applicable terms of use of such website or application (collectively. Twitter TOU. How To Enter: To enter via Twitter:  Sponsor will be holding a trivia session each day from 1/31/20 through 2/6/20 at 6 p. – 9 p. EST where fans can tune in to respond to trivia questions posted in real-time on Twitter. To participate in a trivia session, use your Twitter account to access @RegalMovies and locate the Birds of Prey: And the Fantabulous Emancipation of One Harley Quinn AR Giveaway post. Trivia questions will be asked by Sponsor in that post. For each question during a trivia session, the authorized account holder of the first Twitter account used to correctly answer the question in a tweet that includes the required hashtag set forth in the next paragraph will be deemed the entrant and will receive one (1) entry into the Giveaway, subject to the eligibility restrictions below. That account holder may continue to answer subsequent questions during the trivia session using that account but will be ineligible for additional Giveaway entries awarded in connection with that session. Limit one (1) entry via Twitter per day during the Promotion Period. For purposes of this subsection (a) the “authorized account holder” is the natural person assigned the e-mail address used to create the Twitter account. You must include “#EntertoQuinn” in your Twitter response containing the correct answer to be eligible for entry. To enter via AR Posters:  Movie fans are invited to use the Regal mobile apps augmented reality filter to play Poster Mayhem. During the Promotion Period, simply use the Moviebill scanner to scan one of the select Birds of Prey: And the Fantabulous Emancipation of One Harley Quinn posters located in designated marketing standees or certain Regal theatres playing the film. In order to scan a poster, you must have the Regal mobile app installed, be a Regal Crown Club member and be logged in to your Regal Crown Club account within the Regal mobile app. Then, click the Moviebill icon and scan the poster. The Regal mobile app is free and available on Google Play and in the App Store. The authorized account holder of that Regal Crown Club account will be deemed the entrant and will receive one (1) entry into the Giveaway, subject to the eligibility restrictions below. Limit of one (1) Giveaway entry during the Promotion Period via the entry method described in this subsection (b. For purposes of this subsection (b) the “authorized account holder” is the natural person who registered the Regal Crown Club account. For more information on becoming a Regal Crown Club member, please see. Use of Moviebill is governed by any applicable terms of use, including those at (collectively, “Moviebill TOU”. To enter via e-mail:  E-mail your full name, phone number, date of birth, and Regal Crown Club card number (if any) to [email protected] Please include Birds of Prey: And the Fantabulous Emancipation of One Harley Quinn AR Giveaway in the subject line. E-mail entries must be received during the Promotion Period. The person whose information is set forth in an e-mail entry submitted in accordance with this subsection will be deemed the entrant and will receive one (1) entry into the Giveaway, subject to the eligibility restrictions below. Limit one (1) entry per e-mail received. In the event of any dispute as to the identity of an entrant, the authorized account holder of the e-mail address used to submit the e-mail entry will be deemed the entrant. For purposes of this subsection (c) the “authorized account holder” is the natural person assigned the e-mail address. To enter via the Regal Crown Club Reward Center:  Eligible Regal Crown Club members who are participating in the Regal Crown Club program may enter the Giveaway via the Regal Crown Club Reward Center. To enter, login to and click “Redeem Credits” during the Promotion Period. Then, click the “Filter” button and select “Sweepstakes” under “Category. ” Click the Birds of Prey AR Giveaway tile, review the “Reward Details” and other applicable terms and conditions, and indicate your (i) agreement to these Official Rules by checking the appropriate box and (ii) desired quantity of entries. If randomly received during AR activation, enter the code and click “Enter Sweepstakes”. Crown Club members can also enter by clicking the “Enter Sweepstakes” button. The authorized account holder of the Regal Crown Club card number used to login will be deemed the entrant and will receive one (1) entry into the Giveaway for each 10, 000 Regal Crown Club credits redeemed at the Regal Crown Club Reward Center, subject to the eligibility restrictions below. Potential winners may be required to show proof that they are the authorized account holder. Eligibility:  The Giveaway is open only to legal residents of the 50 United States and D. C. (excluding residents of Rhode Island) who are at least 18 (19 or older in AL and NE; 21 or older in MS) at the time of entry, subject to all applicable laws and regulations. The Giveaway is not open to (a) any employees of Sponsor, Warner Bros. Entertainment Inc., Moviebill Inc., the prize providers, or any of their respective parent companies, subsidiaries, affiliates, or advertising or promotion agencies (such entities, collectively, the “Promotion Parties”) or (b) any such employees immediate family members (e. g., spouse, parent, step-parent, sibling, step-sibling, half-sibling, child, and step-child) or any person living in the same household as such individuals. Any false or deceptive entries or acts (including using multiple accounts with the same social media tool in order to enter multiple times) by you will render all entries by you ineligible. Any use of robotic, automatic, programmed, or similar methods of entry by you will render all entries by you ineligible. Partial and incomplete entries may be disqualified. You and your entry may not violate, misappropriate, or infringe any intellectual property, publicity, contractual, privacy, or other right of any third party or any applicable regulation, social media or other guideline or community standard. Your entry may not contain material that is offensive, defamatory, threatening, abusive, discriminatory or otherwise inappropriate Winner Selection and Notification:  Winner will be selected in a random drawing from among all eligible entries received. The random drawing will be conducted on or about March 1, 2020. Odds of winning depend on the number of eligible entries received. Winner will be notified by phone, email or social media promptly after the drawing, and must respond to such notification as directed therein within three (3) days after its transmission by Sponsor. If, for any reason, more than one bona fide winner come forward seeking to claim a prize, Sponsor reserves the right to award only the prizes described in these Official Rules via a random drawing from among all persons with bona fide claims for the prizes, and inclusion in such selection process shall be your sole and exclusive remedy under such circumstances. After notification, if requested by Sponsor, a winner must complete, sign, have notarized, and postmark an Affidavit of Eligibility and Liability and Publicity Release (where not prohibited by law) within five (5) business days of its delivery to the winner. All prizes will be awarded provided that a sufficient number of eligible entries are received. Description of Prize(s) and Approximate Retail Value ( ARV.  One (1) grand prize winner will be awarded one (1) “Harley mallet” that was used in the film Birds of Prey: And the Fantabulous Emancipation of One Harley Quinn. (ARV: 599) General Prize Terms: The ARV of the prize(s) is based on information available to Sponsor. None of the Promotion Parties is responsible for, and a winner will not receive the difference (if any) between, the actual value of the prize(s) at the time of the award and the stated ARV in these Official Rules. Prizes are subject to availability and Sponsor reserves the right to substitute a prize of equal or greater value in Sponsors sole discretion (which prize shall be subject to these Official Rules. Prize details not specified herein will be determined by Sponsor in Sponsors sole discretion. Prizes are nonrefundable, not redeemable for cash, and not transferable, and no cash alternative is available. The prize is limited to that specified in the section titled “Description of Prize(s) and Approximate Retail Value (‘ARV)” above. Gift cards, gift certificates and tickets are subject to the terms and conditions specified thereon or otherwise specified by the issuer thereof. All taxes on a prize are the sole responsibility of such prize winner. The value of any prize awarded to a winner may be reported for tax purposes as required by law, and such winner must provide any additional information upon request so that Sponsor can comply with tax reporting obligations. Additional restrictions may apply. Disclaimer:  None of the Promotion Parties is responsible or liable for lost, late, damaged, destroyed, delayed, stolen, misdirected, incomplete, or illegible entries; entries not received during the Promotion Period for any reason; or other errors of any kind. Prizes are awarded “as is, where is, ” without warranty of any kind, express or implied, including without limitation any warranty of merchantability or suitability for a particular purpose. None of the Promotion Parties is responsible or liable for any typographical or other printing errors in the offer or administration of the Giveaway. In the event that any matter beyond Sponsors reasonable control (including without limitation viruses and technical failures) prevents, corrupts, or impairs the administration, security, fairness, or proper play of the Giveaway such that it cannot be conducted as originally planned, Sponsor reserves the right to cancel, terminate, modify or suspend the Giveaway at any time in its sole discretion. Disqualification:  Sponsor may disqualify any winner (and cause any applicable prizes to be forfeited) if the winner fails to comply with any of the terms or conditions of these Official Rules, the Twitter TOU or the Moviebill TOU (as determined by Sponsor, Twitter or Moviebill) or if Sponsor is unable to contact a potential winner (or any notice or prize is returned as undeliverable. In the event of disqualification of a winner or forfeiture of a prize, Sponsor may select an alternate winner in a random drawing in Sponsors sole discretion. Release and Indemnification:  BY PARTICIPATING IN THE GIVEAWAY, YOU AGREE: A) TO BE BOUND BY THESE OFFICIAL RULES AND THE DECISIONS OF SPONSOR AND (B) TO FOREVER AND IRREVOCABLY RELEASE, DEFEND, INDEMNIFY, AND HOLD HARMLESS EACH OF THE PROMOTION PARTIES AND TWITTER, INC. (AND THE DIRECTORS, OFFICERS, EMPLOYEES, AGENTS, SUCCESSORS, AND ASSIGNS OF EACH OF THE FOREGOING) FROM AND AGAINST ANY AND ALL CLAIMS, LOSSES, DAMAGES (INCLUDING WITHOUT LIMITATION DEATH AND PROPERTY DAMAGE) AND LIABILITY ARISING OUT OF OR RELATED TO (I) THE GIVEAWAY OR PARTICIPATION (OR THE INABILITY TO PARTICIPATE) THEREIN OR (II) ANY PRIZE. Disputes; Governing Law:  Except where prohibited, you agree that any and all disputes, claims and causes of action arising out of or connected with the Sweepstakes or any prize awarded shall be resolved individually, without resort to any form of class action. Any disputes that may arise hereunder will be governed in all respects by the laws of the State of New York without regard to the conflicts of laws principles of any jurisdiction. Venue with respect to any such disputes will be had only in the state and federal courts located within the State of Tennessee, without waiver of any right to removal by Sponsor pursuant to 18 U. S. §§ 1441, et seq. Publicity and Intellectual Property:  Where permitted by law, by participating in the Giveaway, you grant each of the Promotion Parties, and those acting pursuant to the authority of any of the Promotion Parties, the right to print, publish, broadcast, and use any materials (in whole or in part, or in edited form) you submit in connection with the Giveaway, as well as your name, portrait, picture, likeness, voice, statements attributable to you (including comments and postings) city and state of residence, and other biographical information, for advertising and promotional purposes throughout the world in any and all media now known or existing at any time in the future, without further approval, notification, or compensation. List of Winners / Copy of Official Rules:  Go to to obtain a copy of these Official Rules. For a list of prize winners or a copy of these Official Rules, mail your request and a self-addressed, stamped envelope within 6 months after the Promotion Period to Sponsor at the address below. Miscellaneous:  Decisions of Sponsor are final and binding in all matters related to the Giveaway. The invalidity or unenforceability of any provision of these Official Rules will not affect the validity or enforceability of any other provision. Sponsors failure to enforce any term of these Official Rules will not constitute a waiver of that provision. When terms such as “may” are used in these Official Rules, Sponsor has sole and absolute discretion. You agree to waive any rights to claim ambiguity of these Official Rules. Sponsor:   Regal Entertainment Group, 101 E. Blount Ave., Knoxville, TN 37920. Warner Bros. Entertainment Inc. and its parent, affiliates and subsidiaries are not responsible for the promotion, administration or execution of this Giveaway.




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Fhd online film afterwards. I remember that this movie was originally named “Limited Partners” and “Hostile Makeover”. 0:43 Notice the purple glow as Harley walks away. Is the joker watching her. There are a number of reasons why shooting 4K for 1080p is a good idea, but does online compression mean youre wasting your time? Cover image via gnepphoto. Shooting in 4K to deliver in 1080p offers a number of benefits, such as the ability to  crop your composition without loss of (HD) resolution, digitally zooming and panning with techniques like a digital dolly zoom, and (of course) increased sharpness and image color. Weve previously covered why the sharpness and color is better in  4K vs. 1080p using the GH5. Heres the tl;dr version: When you downscale from 4K to full HD, youre essentially oversampling the image to have 4x the data for every pixel. Therefore, when you have 4K footage and downscale it to 1080p (Full HD) the image is going to look better than it would at native 1080p. Youll find the picture is a lot sharper, the colors more vivid, and (depending on the properties of the image) youll also see less noise. Recently, filmmaker Alejandro Hernandez  brought up an issue in the Color Grading Central Facebook group  — a community of professional and amateurs colorists, managed by Resolve tutorial wizard and color-grading expert Denver Riddle. Hernandez posits that unless you render a 4K file for 4K online delivery, the perceived increase in 1080p sharpness you get with a 4K downscale gets nullified. YouTube, of course, uses a heavy compression — thats no secret. Weve recently  discussed  that using coarse film grain will deplete the sharpness of your image after YouTube compression. If we compare a 400 percent zoom into an offline 4K file against 4K YouTube image, we can see a slight decrease in the clarity, and surprisingly, a red cast to the actors face. However, this is a 400 percent digital zoom. YouTubes 4K platform is otherwise fantastic for what it is. However, this raises an important question: does YouTube really make a 4K to 1080p render obsolete? The Test While filming in 4K solely to deliver a sharper HD picture hasnt been my primary use of the resolution, I have indeed had projects that required 1080p delivery, so I shot in 4K to get a sharper HD image. This, of course, comes at the cost of larger and faster media — along with the need for more offline storage. And if youre selective, we can talk about the increase in offload time and processing power for slower machines. Here we have a still from a 4K shot. and a still from a 1080p shot: Theres a slight discrepancy between the actors position and the sweat on his face, but if we only focus on his eye, its 99 percent close enough that we can use it as an example. Of course, for offline delivery, the principle stands. Delivering 4K to 1080p will look better than a standard 1080p file, and we can see this when we compare the two exported files. Theres a lot more clarity to the image on the left, and we can see the finer details directly underneath his eyelid. For the test itself, I rendered both video files using Premiere Pros 1080p YouTube preset, but I increased the bitrate to 50mbps. The results above came from YouTube, and, well, theyre certainly not great. Again, YouTube is compressing the video, so we know its going to lose some of the finer details, but as Hernandez suggests, YouTube nullifies the benefits of the 4K downscale to the point that theres minimal difference between the 4K to 1080p image and the native 1080p. Again, the hue has undergone some minimal changes, but more importantly, we can really see how much detail we lose by comparing the offline image to the compressed YouTube image. Ultimately, for many, this will not be an issue. More than half of YouTube views come from smart devices, and most do not support 4K. However, if you have been shooting in 4K solely for a crisper online image, now you know its unnecessary. Although, given how YouTube is continually developing, perhaps in a year or two this article will become redundant. Looking for more info on video production? Check out these articles. What Facebooks New Algorithm Means for Video Content Creators A Look At Resolves New Node Graph Feature How to use the VR Comp Editor in After Effects with 360 Video How To Fix Out-of-Sync Audio on a Video Game Screen Capture Check Out the Latest Developments in Resolve 14. 1 and 14. 2.

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Seen as a victim in Germany and a perpetrator in Palestine, Bloch faces those she was raised to hate as she searches to understand the identity-making narratives of the Holocaust and the Nakba, violent and non-violent resistance, and the possibility of reconciliation. The film points towards a future – an “afterward” – that attempts to live with the truths of history in order to make sense of the present. Upcoming Screenings January 20, 2020 - January 21, 2021 February 11, 2020 Utah Film Center Tuesday, February 11th, 2020 Special Skype Q&A with Director Ofra Bloch Past Screenings January 25, 2020 Upstate Films Saturday, January 25 Q&A with co-writer/producer Jack Riccobono January 20, 2020 - January 21, 2020 Laemmle Royal Monday, January 20th at 7:30pm Special Q&A with director Ofra Bloch and moderated by Julia Turner, Deputy Editor of Art & Entertainment at the Los Angeles Times. Tuesday, January 21st at 1:00pm January 20, 2020 - January 21, 2020 January 20, 2020 - January 21, 2020 January 17, 2020 - January 23, 2020 January 17, 2020 - January 23, 2020 January 10, 2020 - January 16, 2020 Village East Cinema January 10th to January 16th Friday 1/10 Q&A with director Ofra Bloch and producer Jack Riccobono, moderated by New York Times deputy politics editor Rachel Dry Saturday 1/11 & Sunday 1/12 Q&A with director Ofra Bloch and film subject Basel Alyazouri Wednesday 1/15 Q&A with director Ofra Bloch and producer Jack Riccobono October 22, 2019 - October 22, 2019 July 31, 2019 - July 31, 2019 July 26, 2019 - July 27, 2019 June 1, 2019 - June 2, 2019 April 14, 2019 - April 15, 2019 April 11, 2019 - April 13, 2019 April 5, 2019 - April 14, 2019 March 30, 2019 - March 31, 2019 February 1, 2019 - February 3, 2019 November 7, 2018 - November 14, 2018 New York, NY, United States Press Los Angeles Times Review: ‘Afterward analyzes the legacy of trauma, fascism and anti-Semitism NPR NPR's Leila Fadel speaks with Ofra Bloch about her documentary Afterward. Having grown up surrounded by Holocaust survivors, Bloch decided to examine her long-held belief that Germans were bad. Leila Fadel The New York Times A documentary seeks to find out what people think of Jews, the Holocaust and history. Ken Jaworowski Filmmaker Magazine “The Act of Listening Requires a Sort Of Surrender to the Narrative of the Other”: Ofra Bloch on Afterward Lauren Wissot Palestine-Israel Journal The growth of political polarization and tribalism worldwide, and what I was learning in my psychoanalytic practice, led me to question my own demonization of Germans. Ofra Bloch International Documentary Association In this edition of "The Feedback. we spotlight Ofra Blochs Afterward. Bloch is a filmmaker and psychoanalyst based in New York City. Lauren Giella The Hollywood Reporter Abramorama has nabbed the North American rights to Afterward, director Ofra Bloch's documentary that is executive produced by filmmaker and activist Abigail Disney, whose great-uncle was Walt Disney. Etan Vlessing Huffington Post An exclusive clip from the new documentary Afterward. HuffPost Entertainment American Jewish World There is increasing recognition that this psychological disruption reverberates through generations. Mordecai Speckor Lilith Magazine A Filmmaker Listens to Germans, Jews and Palestinians Noa Kattler Kupetz The Hollywood Reporter Ofra Bloch's documentary deals with the lingering trauma suffered by Israelis, Palestinians and Germans as a result of such events as the Holocaust and the Nakba. Frank Scheck Unseen Films Looking to end the hate at DOC NYC 2018 Steve Kopian Women & Hollywood DOC NYC 2018 Women Directors: Meet Ofra Bloch – “Afterward” Rachel Montpelier YNET In a special interview, she talks about the creepy journey documented in the film, and the encounter between second generation Holocaust survivors and second generation Nazi soldiers. Adi Greenberger Team Bios Ofra Bloch Director, Writer is a filmmaker and psychoanalyst in private practice in New York City. She grew up in Israel, where her deep interest in the short and long-term effects of trauma originated. She has volunteered with Doctors of the World, where she interviewed victims of torture, and wrote their affidavits. She began making short documentaries 10 years ago. AFTERWARD is her first feature documentary. Jack Riccobono Producer, Co-Writer has written, directed and produced a wide range of work across the five boroughs of his native New York City and around the world. His critically acclaimed documentary feature THE SEVENTH FIRE premiered at the Berlin Film Festival and received a NYTimes Critics Pick during its theatrical release in North America and the UK. A graduate of Harvards VES Film Production Program and Werner Herzogs Rogue Film School, Jacks films have screened at festivals and venues including New Directors/New Films, the Institute of Contemporary Arts, the New Museum, and the Museum of Modern Art. In 2008, Jack launched the production company All Rites Reserved, dedicated to producing films with global reach that push visual and conceptual boundaries. Abigail E. Disney Executive Producer is a filmmaker, philanthropist, activist, and the Emmy-winning director of THE ARMOR OF LIGHT. As president and CEO of the documentary production company Fork Films, she produced the groundbreaking PRAY THE DEVIL BACK TO HELL and co-created the subsequent PBS series WOMEN, WAR & PEACE, which looks at women in modern war as active agents for peace and positive change makers in their communities. She is also the founder of the nonprofit Peace is Loud, which uses storytelling to advance social movements, focusing on womens rights and gender justice. Adam Schlesinger Executive Producer is an award-winning independent filmmaker. Most recently, he directed and produced RESTLESS CREATURE: WENDY WHELAN, which had its world premiere at the New York Film Festival ahead of an exclusive release on NETFLIX. Schlesinger has also produced many critically acclaimed documentaries, including AI WEIWEI: NEVER SORRY (IFC/Sundance Selects) the Emmy-nominated SMASH HIS CAMERA (HBO, Magnolia Pictures) and the Emmy-nominated PAGE ONE: INSIDE THE NEW YORK TIMES (Magnolia Pictures, Participant Media. Michael J. Palmer Editor, Co-Writer has collaborated with accomplished directors on complex, far-reaching documentary films since 2007. After a stint as a professional musician, he was assistant editor on Martin Scorseses two-part George Harrison documentary, LIVING IN THE MATERIAL WORLD. He joined teams of editors on Alison Ellwoods epic rock-doc, HISTORY OF THE EAGLES, THE 50 YEAR ARGUMENT, co-directed by Martin Scorsese and David Tedeschi, and THE SEVENTH FIRE, a raw, vérité look at Native American gangs directed by Jack Pettibone Riccobono. Michael has cut several films for Alex Gibneys Jigsaw Productions, including the Emmy-nominated ELIÁN, and STEVE JOBS: THE MAN IN THE MACHINE, on which he also served as co-producer. Alex Stikich Cinematographer is an award-winning freelance cinematographer based in New York. He works professionally on a wide range of documentary, narrative, commercial and corporate projects around the world, ranging from issues like economic development in Africa/Europe, to life aboard US NAVY aircraft carriers, to a science series about infrastructure networks (food / transportation / manufacturing / energy. Recently, he has done work for BOMBSHELL a documentary about the lesser known inventions of Hedy Lamarr and LINCOLN, a project exploring the legacy of Lincoln as it pertains to the current state of the GOP. Lucas Lechowski Composer started his musical journey as a classical violinist at the age of four, eventually graduating from the Conservatory of Music in Katowice, Poland. In the field of composition Lechowski has scored over 50 projects, including feature films, documentaries and theatre plays. Lechowski is a Fellow of the Sundance Institute Composers Lab and the Berlinale Talents alumnus. He was selected for the leading film scoring workshops including ASCAP/Columbia University Film Scoring Workshop, the NYU/ASCAP Television & Film Scoring Workshop and the Society of Composers and Lyricists Mentorship Program. Contact To support our outreach campaign, please click here.

Full Description NORTHERN CALIFORNIA PREMIERE In her powerful personal documentary, psychoanalyst and trauma expert Ofra Bloch - an Israeli-born woman from a family of Holocaust survivors - invites us on a courageous journey as she meets with those who represent the twin traumas that have defined her inner life and that of her country: Germans living in the shadow of Nazi crimes and Palestinians resisting the occupation of their lands. Without polemics or false equivalencies, Bloch turns an empathetic ear to the stories and convictions of a compelling group of subjects, all of whom carry the scars of generational catastrophe. In Germany we meet Johanna, the daughter of a Nazi soldier who has become an oral historian of Holocaust testimonies; and Ingo, a reformed neo-Nazi, both of whose lives have been shaped in different ways by the crimes of a long-ago generation. And in Palestine, Bloch listens to the stories and convictions of (to name just two) Bassan, a peace activist whose 10-year-old daughter was killed by an Israeli soldier; and Muhammad, a professor who brought his Palestinian students to Auschwitz. Through these and other moving encounters, Bloch dares to explore the psychic wounds that connect victim and perpetrator, historical wrong and present-day justice. Her nuanced, thought-provoking film even begins to outline what mutual forgiveness might look like.  - Peter L. Stein Guests Expected Director Ofra Bloch in person Filmmaker Bio(s) Ofra Bloch (Director, Writer) is a filmmaker and psychoanalyst in private practice in New York City. She grew up in Israel, where her deep interest in the short and long-term effects of trauma originated. She earned her Master's degree in social work at Columbia University, and complete both the International Trauma Studies program at NYU, and a training program in psychoanalys is at the National Institute of the Psychotherapies. She has volunteered with Doctors of the World, where she interviewed victims of torture, and wrote their affidavits. She began making short documentaries 10 years ago. Afterward is her first feature documentary.

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Oh, goody. ANOTHER film where the ex-con is trying to turn his life around, but all the cops are corrupt. Such an original storyline. 1 win & 1 nomination. See more awards  » Edit Storyline Jerusalem-born trauma expert Ofra Bloch forces herself to confront her demons in a journey that takes her to Germany, Israel and Palestine. Set against the current wave of fascism and anti-Semitism sweeping the globe, Afterward' delves into the secret wounds carried by victims as well as victimizers, through testimonies ranging from the horrifying to the hopeful. Seen as a victim in Germany and a perpetrator in Palestine, Ofra faces those she was raised to hate and dismiss as she searches to understand the identity-making narratives of the Holocaust and the Nakba, violent and non-violent resistance, and the possibility of forgiveness. Plot Summary, Add Synopsis Details Release Date: 10 January 2020 (USA) See more  » Box Office Opening Weekend USA: 6, 477, 12 January 2020 Cumulative Worldwide Gross: 6, 477 See more on IMDbPro  » Company Credits Technical Specs See full technical specs  ».

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